This week I am taking time to inventory my completed artworks for my series Constructed Realities. This mixed media series is a collection of poetry inspired works that incorporate both text and imagery with a variety of media such as soft pastel, oils, acrylics, and gouache. I am making these paintings as part of a portfolio in preparation for applying to graduate school in two years’ time. I’ve been stretched in ways I hadn’t thought possible working with a variety of media, and the challenge of translating abstract ideas into visual art. Here’s a snippet of my Statement of Purpose, which describes these works in more detail.
In my new works, I have incorporated mixed media and text, which is inspired by art journaling and mixed media art. For example, texts from selected poems or songs, such as the writings of Emily Dickinson, Maya Angelou, Robert Frost, and T.S. Elliot, Dylan Thomas, and Thomas Hardy are included in my paintings to give viewers clues about the content of my work. Other influences include the song lyrics of Sting, and other musicians, psychological theories of human development, and current events. These texts are incorporated into my paintings to help the view draw connections between the emotional content in my art and the written word.
This week I am going in a slightly different direction than last week, but I haven’t given up on my poetry inspired work. I have started a new series of portraits based on the lives of writers, poets, and others to try something a little new but somewhat related to the poetry series. Next to working on artwork, my other favorite hobby is to read biographies of people I admire, such as Emily Dickinson, Julia Child, and others. So I thought,
what not combine my love of art and reading biographies?
Like the poetry series, the work focuses on the portrait and symbolic imagery to help describe the content of the piece. Similarly, I am working in a mixed media style with these portraits, beginning with a pencil sketch and then creating a tonal under painting in gouache. Finally, I finish it off with a more detailed limited palette with soft pastels on Illustration board. My goal is to make at least 10 poetry series portraits and 10 biographical portraits in preparation for applying to graduate school to get my master’s in fine art.
Today I wanted to show you my work process so far with these new portraits. The first one is a sketch of Emily Dickinson. Much has been illustrated regarding her and her poetry, but I wanted to show a different aspect of her personality and that was that she had a passion for plants and nature, even keeping a personal collection of plants in her home and a garden she tended frequently. It should also be noted that many of her poems are about nature, such as storms or sunrises, and so perhaps in some circuitous way, this painting is also about her poetry. To learn more about her passion for plants visit: https://www.emilydickinsonmuseum.org/emily-dickinson/biography/special-topics/emily-dickinson-and-gardening/.
My second portrait is about one of my favorite writers who wrote the beloved Chronicles of Narnia series, with hints of Greek mythology and even an allegory of the creation story in the book, The Magician’s Nephew. I wanted to make a portrait that showed the creative process of Lewis’s writing and the flow of new ideas. I likened creativity as fire and used that as a way to contain the various characters concerned in these chronicles of Narnia books.
This piece was closer to home for me because although I do love nature and being out in it, I feel that creativity is a large part of me, and I would feel empty without it, I think. It is good to remember that there are rewards to creativity and making things, especially when paintings don’t turn out so well, which I experienced yesterday when I was trying to complete a painting that has been languishing in my studio. Needless to say, it did not go well. And instead of calling it a loss and going to do something else, to give myself time to think about what I didn’t like about the painting, I just kept adding different mediums to the dried acrylic paint, to see what would happen. The lesson here was, paint mindfully, and not mindlessly. Thanks for stopping by!