This week I am taking time to inventory my completed artworks for my series Constructed Realities. This mixed media series is a collection of poetry inspired works that incorporate both text and imagery with a variety of media such as soft pastel, oils, acrylics, and gouache. I am making these paintings as part of a portfolio in preparation for applying to graduate school in two years’ time. I’ve been stretched in ways I hadn’t thought possible working with a variety of media, and the challenge of translating abstract ideas into visual art. Here’s a snippet of my Statement of Purpose, which describes these works in more detail.
In my new works, I have incorporated mixed media and text, which is inspired by art journaling and mixed media art. For example, texts from selected poems or songs, such as the writings of Emily Dickinson, Maya Angelou, Robert Frost, and T.S. Elliot, Dylan Thomas, and Thomas Hardy are included in my paintings to give viewers clues about the content of my work. Other influences include the song lyrics of Sting, and other musicians, psychological theories of human development, and current events. These texts are incorporated into my paintings to help the view draw connections between the emotional content in my art and the written word.
About a century ago (well I exaggerate a little); I was a college student studying art at McDaniel College in Westminster, MD. I had a brilliant and successful art teacher named Steve, who demonstrated how the practice of art-making and the hatching of new ideas could be brought to life, using a sketchbook. He taught me many useful things, such as how to keep an art sketchbook pasted with photos of artwork by artists I admired, and how to write an artist statement that reflected my unique artistic voice. Above all, his most important advice was that I should draw every day. At the time, that task seemed quite difficult to stick with. I was always an impatient artist as a student and I often rushed through the drawing stage to hurry up and get to the painting. I learned later that that was a mistake. Now that many years have passed since my graduation from McDaniel, I can truly see the wisdom of his advice.
In hindsight, I realize that he was so right about drawing every day. Now, I no longer rush artwork and I have learned to love drawing, whether it becomes a painting or not. In fact, I have embraced his advice of a daily drawing habit at various times in my life, and I have worked on several art challenges for both human portraiture and pet portraits on my Instagram account. One of these challenges is called 100 faces in 100 days, in which I drew a pre-selected photo of a celebrity using only pencil and paper. I did not add in a lot of detail or shading and I limited myself to 45 minutes a day. The process of a drawing challenge gave me many opportunities for both successful drawing and ones that I didn’t like, but it helped me to see my progress, and that the practice bore much fruit in terms of learning to take the time to really observe my photo references and record my observations on paper. You could say drawing is akin to yoga or meditation because you need to be completely mindful in order to capture the nuances prevalent in realistic drawing.
At present, I am struggling to carve out time for drawing. Sandwiched in between working, and preparing an art portfolio for graduate school applications, and other responsibilities, I am striving to make time at least 1x a week to draw. This time, I am focusing on making mixed media pastel and torn paper collage drawings. These take several days to complete so I only post about 1x a week on my Instagram account. But this working process works well for me, as the breaks in the
action, give me additional time to evaluate the accuracy of my drawing proportions and the values in my shading. The most important take away I can say about drawing and getting good at it, is that it really helps your art practice to flourish. For instance, once you have the drawing and composition mastered, you can enjoy the next step more fully, whether its collage, painting or some other art form such as graphic design or sculpture. With an accurate drawing, you won’t have to worry about continuing to fix it and can fully embrace your next steps, and I am learning that it’s so much better to take the time and lay a good drawing as your foundation for your art.
A good case in point was my latest painting in progress, Money is the Bait, which started out unsatisfactorily because of several drawing errors in the initial portrait. I ended up starting from scratch in oils on a totally new surface, and it still isn’t finished. I hope to finish it by next week. Thanks for stopping by! If you want to follow my progress with the mixed media portraits, you can follow me on Instagram under my profile name, jsjschmidt.
Have you ever wondered why some artists, such as Andrew Wyeth, and others create their artwork in a series format? My first experience with creating artwork as a series was as an undergraduate at McDaniel College, taking art classes at the senior level. In this Senior Studio Capstone class, my fellow students and I were given the assignment to create a series of artworks that expressed a theme of interest or importance to us and to write an artist’s statement that described our artwork’s theme. For example, according to the website The Abundant Artist, some themes that artists might explore in a series include, 1.) “color and texture,” 2.) politics (Kathe Kollwitz), 3.) death, (Hirst) or 4.) messages that uplift, like Kelley Rae Roberts, Source: https://theabundantartist.com.
Prior to that, my assignments in drawing and painting consisted of drawing or painting to try and copy the still life or model in front of me, to teach the skills of observation. At that time, I had no idea how to even get started and had artist’s block for two weeks while I searched for artworks that inspired, all in vain. My Teacher did give us some guidance to the process though. He suggested that we create sketchbooks in which we pasted artworks of inspiration, no matter the medium, and he suggested that we look up art magazines, such as Art in America. Pouring over art magazines and artist websites, such as Forum Gallery, I could think of nothing new to say with my artwork that hadn’t already been said. I felt I had a lot of competition since there have already been many artists who have gone before me, who have created several unforgettable artworks to boot, such as Vermeer’s, Girl with a Pearl Earring, painted in 1665.
After weeks of struggle and seeking out artwork that inspired me, I had a solution. My answer came from an unlikely source, music. I decided to illustrate some of the songs of my favorite musician, Sting, using my self-portrait as a muse, along with color, and composition to portray various feelings of uncertainty, sadness, etc. Some of the songs I illustrated in my self-portrait series were Lithium Sunset and Secret Journey. The first song talks about how medication can help bring a person out of depression and make them strong enough to get back up again. While the second song, Secret Journey, talks about a mystical journey of enlightenment. I printed out the songs from Sting’s website, www.sting.com, pasted them in my sketchbooks, and underlined words and phrases that I thought were good candidates for illustration. And I referenced these songs and artworks of inspiration as I crafted my Artist’s Statement. As I searched through artwork that inspired, it became evident that I was drawn to the subject of the portrait, but I didn’t know how to make my work unique, because the portrait has been done numerous times before.
The imagery of Sting’s songs provided the perfect solution to my dilemma and I was off and running. My then-boyfriend, Dan, took photos of me to provide the source photos for my oil paintings. To make a long story short, I finished the series in time and even made a PowerPoint presentation as part of the project requirements of my finished works. In addition, I crafted an artist’s statement, which helped me to define the artwork by describing what the artwork would be about and what influences had to lead me to the finished work. I learned a lot about myself as an artist, such as how to distill ideas through writing artist statements and creating sketchbooks to illustrate my ideas by pasting artwork that inspired onto its pages. In particular, I discovered that I liked to make artworks that had a message, even if the search for the solution was far from easy. But back to my main question, “Why should artists work in a series?”
To investigate that question more fully, I did what many people would do, I googled it. The websites, Abundant Artist and Art Business.com, shed some light on the subject of content-based art. According to the authors, some of these benefits include: 1.) Making artwork in a series gives the artist a platform to connect with their audience on an emotional level because the artwork is focused and personal, 2.) Creating artwork in a series format helps others to understand what an artist’s work is about and who they are as a person, 3.) Artists who make artwork in a series are more likely to find art galleries to exhibit their work because they know how to market the artist and this format follow their business model, and 4.) Working in a series format helps artists to understand what topics/subjects are important to them, and which they like to draw or paint.
This week I am posting some photos of my latest painting, The Dream of Time Travel, which I started many months ago, and I am happy to say is finally complete! It is part of a series of paintings about the human condition, which is part of my portfolio for graduate school. These new works are a continuum of the series of paintings I completed as an undergraduate at McDaniel College, using the theme of the self-portrait, but expanding its representation to other themes such as poetry illustration. Thanks for stopping by!
I am so glad you stopped by to read my post today! While this blog post is a recycled one written several years ago, the artwork I am posting is completely new, and part of my new art portfolio. This week I am featuring the painting process of my latest work in progress, The Almighty Dollar. Its a mixed media collage which illustrates the poem, The World is Too Much with Us, written in 1807, by William Wordsworth. Although this poem was written in the 19th century, the theme of capitalism and greed is still relevant today. I think that’s what makes great art and poetry, something is written or painted in the past, which still resonates today! If you are working on an artwork or other creative project and feel stuck, I hope this post will help give you encouragement to carry on, or just start over again.
If you are a creative type or if you like to make things, you have probably encountered the moment when the finished product you imagined, does not live up to your expectations. Creative types such as musicians, composers, producers, dancers, writers, artists, photographers, cooks, and makers of all types, can probably tell you what it feels like to hit a wall with a project, and how it felt, and what they did to navigate that feeling of utter frustration. As an artist, I have experienced this frustration more times than I can count. Some paintings and drawings are simply learning projects and are difficult to salvage, while others can be fixed. I know it’s been said that you learn more from your mistakes than your successes, but when I get to a point in a painting or drawing and I realize that the painting or drawing doesn’t look right, it can be really frustrating. I start doubting myself, feel like giving up, or doing something that I am not good at, like cooking or cleaning because I know that I am not good at these things, so my expectations of success in these domains are much lower than for painting or drawing since I have no training in cookery or housekeeping. Since I know I am not a good cook, if it doesn’t turn out so well, it’s a waste of ingredients but I don’t feel as emotionally attached to the outcome as I would to a painting or drawing.
I recently read a forum question on the website, Wet Canvas.com, and the question of the day was,” When should I stop working on a painting? I was intrigued by the question, and wondered how other artists dealt with paintings that can “look like a dog’s breakfast.” I read about a variety of solutions suggested by artists who had hit the wall creatively. Some were familiar to me, like my tendency to put the painting away and stop looking at it for a few days, weeks, months, or even longer. Others were not as familiar such as putting the painting somewhere where you can see it, such as on an easel in a living room, and then taking time to look at it from time to time to diagnose the problem. Another favorite technique is to write a list of things I want to change in the painting, be it the drawing, colors, value, edges, etc. In my case, some of the artwork I have abandoned was started about two years ago, and I am just now starting to look at the sketches and Photoshop files.
This week I took some time to work some more on my acrylic painting, Waiting: Creative Block. I realized that there were several things bothering me about it. The colors and values, and the composition were some of the biggest glaring errors. I am realizing they there are many reasons why this painting series of poetry illustration works have been abandoned. One of which was being too busy with other things to give the series the proper amount of time it requires to get things right, such as the composition and the drawing. Since I dropped out of the Social Work program at Frederick Community College, I do have more time to work on paintings. And since I have deliberately looked at my schedule e and started marking studio days on the calendar, I have more “intentional “time.
Hello Friends, family, and fans, At long last, I am posting some progress photos of my series, Constructed realities. They are still mostly in the phase 2 stage of color sketches, but they are coming along. So many things seem to get in the way of making time for art, I have got to start making this more of a priority. I often wonder how other creative types, such as Jane Austen, made time to write so prodigiously despite overwhelming household chores that were required during the 19th century in a family without servants or modern conveniences. Even when she was dying she managed to crank out a new book, Sanitation, which was left unfinished because of her death.
Despite the obstacles of daily life, she made time to write. I hope I can follow her example and bring my passion, time, and energy into making art, no matter what obstacles I face. I am taking stock of my progress so far to try and gain some more objectivity about the work still to be done, and to see the progress in hopes that it will motivate me to make more art! As mentioned in earlier blog posts this series is based on quotes from poetry, and a small portion of the quote will be added to the artwork so you can get the gist of what feelings and moods I hoped to convey in these pieces.
This weekend is your last chance to bid on my box, Solitude, which illustrates the poem, Stopping by the Woods on a Snowy Evening. The last night to bid is Saturday, March 24 from 5 pm-9 pm. So if you wanted to grab my box, here is your last chance! A perfect gift for people who love poetry, illustration and art. The link to the art gallery is
It’s that time again for me to get cracking on my box for the annual Box Show which will be displayed at The Artists’ Gallery in Frederick, MD during the month of March. I have been a participant in this show for many years and every time I make artwork for it, I learn something new and literally learn to think “outside the box.” My work will be featured with several other local Frederick Artists and all art will be for sale via silent auction at the gallery. For more details about the art show, click on the following link: http://www.theartistsgalleryfrederick.com/.
Here are a few examples of the boxes I worked on in previous box shows at the Artists’ Gallery in Frederick,
Johnny Cash, Mixed Media, 2014, Jodie Schmidt.
Johnny Cash, Mixed Media, 2014, Jodie Schmidt.
Alice in Wonderland, Mixed Media, 2016, Jodie Schmidt.
Alice in Wonderland, Mixed Media, 2016, Jodie Schmidt.
Md. The themes for the boxes range from The Chronicles of Narnia, Johnny Cash, Alice in Wonderland and this year I will be illustrating Robert Frost’s poem, Stopping by the Woods on a Snowy Evening. I will post additional photos of this year’s box as soon as I start making more progress on it. I hope to have the sketches for the box transferred to it by this weekend so I can start painting the box with acrylic paint. Thanks for stopping by!
It’s been several weeks since I have blogged, and the reasons are many. Some new responsibilities as my mom’s caregiver, due to her shoulder replacement surgery in October, lots of hours at work, and a new custom order, among other things. Also, I keep trying to think of the perfect topic that will be entertaining to my audience and informative. And yet, when I do that I feel like I am not being my genuine self, and that leads to more inertia. So instead, I decided to share my artist statement for my new poetry illustration series, Voices, and Visions. So here it is.
Voices and Visions
How does an idea for a painting get born? For me, it’s sometimes a memory being re-played, hearing a song lyric that resonates with me, reading a poem that lends itself to telling a story or visiting an inspiring art exhibit. This series focuses on the connection between stories described in the written word, such as poetry, song lyrics, and quotes and the visual narratives that illustrate these works. The works may describe a feeling, a memory, a season, or some universal truth described in color, metaphor or symbols. Perhaps this series has been percolating in me for years, since 2005, in fact, when I graduated from McDaniel College with an art degree. My art mentor, Steve Pearson, who is now (Assistant Professor at McDaniel College), sparked an interest in me about how to make artwork that communicated personal truths and ideas.
To facilitate the creative process, he recommended that I keep a sketchbook and collect artwork that inspired me. This process would help me to identify the themes that mattered most to me and to write a content-based artist statement. Lastly, I created a series of work that described these themes through color, symbols, composition, etc. It’s been several years since then and I have had a lot of experiences since then, read books, listened to music, attended concerts, had different jobs, and pursued different artistic subject media, such as the portrait, and more recently still life and landscape. But I keep coming back to artwork that has a meaning or a story to tell in my artwork, and especially to the portrait which was the first subject that ignited my interest in art. One significant event that sparked this recurrent theme, and they are: 1.) A drawing class that I took at Frederick Community College.
In January of 2015, I took a drawing course at Frederick Community College in Frederick, MD. One of the final assignments I tackled was to illustrate a poem using pastels. A major challenge in this assignment was to find a poem that had some concrete images to illustrate and not a poem that was too esoteric and abstract. I chose Robert Frost’s poem, Ghost House, which has an abundance of concrete imagery. The first lines, “I dwell in a lonely house I know, that vanished nearly a summer ago and left no trace but the cellar walls…” (Frost) gripped me with a strong visual picture. I immediately thought of a derelict house and tried to create a narrative about this haunted house.
Slowly different images popped into my head, a derelict house, a ghost bride, a tree, a path, and some crows. To facilitate this process, I collected artwork that inspired on Google image searches and checked out library books on vampires and fantasy creatures. My next step was to create a Photoshop file collage with images based on this poem. I completed the artwork by creating a drawing based off of the collage and finished with soft pastels. To create this current body of work, I have followed this same process of creating a notebook of images that inspired, and piecing them together in PhotoShop to create my own unique compositions. I also did searches on Pinterest for the artwork of interest and looked for examples of poetry illustrations to see how other artists have tackled this subject. And I read books on poetry or did Google searches to look for poems that lent themselves visual depiction. Some of the poetry that has inspired these works is verses written by Emily Dickinson, Maya Angelou, Robert Frost, and T.S. Elliot.
Thank you for stopping by and reading my artist statement! Have a wonderful week!
Hello Friends, I apologize for my lack of blog posts lately. This past year I had several art shows such as the Frederick Coffee Company in Frederick, MD, as well as my Studio Sale at my home. These events were great opportunities to share my art with others and connect with faces both new and well known. However, I really got behind on some of the administrative aspects of my art business such as cataloging, adding new items to my commerce shops, and keeping up with my profit and loss sheet. I also created lots of new portraits in my 100 Faces in 100 days challenge which took up a lot of time. This past month, I also had some new tasks to take on while my mom has been recovering from shoulder replacement surgery.
So now I am trying to catch up on these neglected tasks. as a result, my posts might be less frequent and you may see some blog posts from my archives. I hope to be more caught up in these administrative tasks by next January so I can post more often. Today I am featuring a blog post which showcases my latest email newsletter for Art of Schmidt. This issue has a short segment about my latest painting series, Voices,
and Visions, in which I illustrate poetry, quotes and song lyrics in mixed media and acrylic. Thank you for stopping by! If you would like to subscribe to my email newsletter for Art of Schmidt, just send an email request to firstname.lastname@example.org.