What to do when a painting goes wrong?

What to Do When a Painting Goes Wrong

 

Hello Friends, family, and fans,

I am so glad you stopped by to read my post today!  While this blog post is a recycled one written several years ago, the artwork I am posting is completely new, and part of my new art portfolio. This week I am featuring the painting process of my latest work in progress, The Almighty Dollar. Its a mixed media collage which illustrates the poem, The World is Too Much with Us, written in 1807,The world is too much with us, flatStage 1, Almighty dollar, flatMasonite board. stage 2, flatcomposition stage 3, flat by William Wordsworth. Although this poem was written in the 19th century, the theme of capitalism and greed is still relevant today. I think that’s what makes great art and poetry, something is written or painted in the past, which still resonates today! If you are working on an artwork or other creative project and feel stuck, I hope this post will help give you encouragement to carry on, or just start over again.

If you are a creative type or if you like to make things, you have probably encountered the moment when the finished product you imagined, does not live up to your expectations. Creative types such as musicians, composers, producers, dancers, writers, artists, photographers, cooks, and makers of all types, can probably tell you what it feels like to hit a wall with a project, and how it felt, and what they did to navigate that feeling of utter frustration. As an artist, I have experienced this frustration more times than I can count. Some paintings and drawings are simply learning projects and are difficult to salvage, while others can be fixed. I know it’s been said that you learn more from your mistakes than your successes, but when I get to a point in a painting or drawing and I realize that the painting or drawing doesn’t look right, it can be really frustrating. I start doubting myself, feel like giving up, or doing something that I am not good at, like cooking or cleaning because I know that I am not good at these things, so my expectations of success in these domains are much lower than for painting or drawing since I have no training in cookery or housekeeping.  Since I know I am not a good cook, if it doesn’t turn out so well, it’s a waste of ingredients but I don’t feel as emotionally attached to the outcome as I would to a painting or drawing.

I recently read a forum question on the website, Wet Canvas.com, and the question of the day was,” When should I stop working on a painting? I was intrigued by the question, and wondered how other artists dealt with paintings that can “look like a dog’s breakfast.” I read about a variety of solutions suggested by artists who had hit the wall creatively. Some were familiar to me, like my tendency to put the painting away and stop looking at it for a few days, weeks, months, or even longer. Others were not as familiar such as putting the painting somewhere where you can see it, such as on an easel in a living room, and then taking time to look at it from time to time to diagnose the problem. Another favorite technique is to write a list of things I want to change in the painting, be it the drawing, colors, value, edges, etc.  In my case, some of the artwork I have abandoned was started about two years ago, and I am just now starting to look at the sketches and Photoshop files.

This week I took some time to work some more on my acrylic painting, Waiting: Creative Block. I realized that there were several things bothering me about it. The colors and values, and the composition were some of the biggest glaring errors.  I am realizing they there are many reasons why this painting series of poetry illustration works have been abandoned. One of which was being too busy with other things to give the series the proper amount of time it requires to get things right, such as the composition and the drawing. Since I dropped out of the Social Work program at Frederick Community College, I do have more time to work on paintings. And since I have deliberately looked at my schedule e and started marking studio days on the calendar, I have more “intentional “time.

What is Artist’s Block?

Hello Friends, I am recycling an old blog post here, because it seems so relevant to the struggle I have had in getting this new series, Voices, and Visions off the ground. It has taken me several months to get traction, but I finally have some sketches to share! At last! The series is about the human condition, The World with waternarkLONGIN~1, with watermark and is inspired by poems, by writers such as Williams Wordsworth, who wrote the poem, “The World is too much with us.” Though it was written several hundred years ago, in 1807,  about the conflicts between our connection to nature, and the pull of materialism driven by the industrial revolution in England during the 19th century, it still seems so relevant today. Anyways, on to the blog post, which is about the Artist’s Block.

What is Artist’s Block?

Art of Schmidt Blog Post

 

This year has been a difficult one with lots of transitions and changes. One of these big changes was my decision to drop out of the Human Services Associate’s degree program at Frederick Community College, after 18 months of double-mindedness between feeling like I had to finish it because I didn’t have any other solid plans for my career, and I had already put in countless hours writing papers, studying and completely fieldwork.  I had felt burnt out and unmotivated to finish the program, and I also felt split in half between my desire to be a professional artist and the need to carve out a definite career plan for myself. It was a difficult decision but I finally decided to drop out after some soul searching and talking with my academic advisor for a variety of reasons. In addition, the workload that this academic program demanded left very little time for creating art. And if I am 100 percent honest with myself, I have always wanted to take my art to the next level beyond just a hobby, but felt unsure of how to pursue this goal after I graduated from McDaniel College with a degree in Art in 2005, and it didn’t seem “practical” to pursue art as anything more than a hobby. I always felt somewhat unsure if Social Work was really the right path for me in contrast.

 

Lately, I have been learning that creative time is important to me and my well being. Creating artwork has been an outlet for me at various times in my life during stressful moments and personal struggles, especially during my father’s long illness and eventual death in 2011 from heart disease.  Making paintings and drawings in oil, watercolor, pastel, and pencil has provided me with a safe way to process difficult feelings and emotions. However, lately, making art has been very challenging and more like a test of endurance and skill than the oasis or refuge it used to be. In spite of the difficulties, I have been pressing on with sketches and paintings to prepare for my October art show at the Frederick Coffee Company as Artist of the month. However, the joy I once felt in making art seems to have deserted me.  I am making very slow progress with starting only 1-2 paintings a week, after looking at some reference photos I took of Catoctin State Park, here in Thurmont, MD.  What is going on here? How can I go from feeling like creating artwork is my lifeline, to it has become my enemy and tormentor and relentless critic?  After reading an article, entitled, “7 Types of Creative Block(And what to do About Them)”, by Mark McGuiness, I think I am beginning to understand that this lack of forwarding motion is the dreaded  Artist’s Block that seems to afflict creative types from a variety of field from musicians, writers, and artists.