Have you ever wondered why some artists, such as Andrew Wyeth, and others create their artwork in a series format? My first experience with creating artwork as a series was as an undergraduate at McDaniel College, taking art classes at the senior level. In this Senior Studio Capstone class, my fellow students and I were given the assignment to create a series of artworks that expressed a theme of interest or importance to us and to write an artist’s statement that described our artwork’s theme. For example, according to the website The Abundant Artist, some themes that artists might explore in a series include, 1.) “color and texture,” 2.) politics (Kathe Kollwitz), 3.) death, (Hirst) or 4.) messages that uplift, like Kelley Rae Roberts, Source: https://theabundantartist.com.
Prior to that, my assignments in drawing and painting consisted of drawing or painting to try and copy the still life or model in front of me, to teach the skills of observation. At that time, I had no idea how to even get started and had artist’s block for two weeks while I searched for artworks that inspired, all in vain. My Teacher did give us some guidance to the process though. He suggested that we create sketchbooks in which we pasted artworks of inspiration, no matter the medium, and he suggested that we look up art magazines, such as Art in America. Pouring over art magazines and artist websites, such as Forum Gallery, I could think of nothing new to say with my artwork that hadn’t already been said. I felt I had a lot of competition since there have already been many artists who have gone before me, who have created several unforgettable artworks to boot, such as Vermeer’s, Girl with a Pearl Earring, painted in 1665.
After weeks of struggle and seeking out artwork that inspired me, I had a solution. My answer came from an unlikely source, music. I decided to illustrate some of the songs of my favorite musician, Sting, using my self-portrait as a muse, along with color, and composition to portray various feelings of uncertainty, sadness, etc. Some of the songs I illustrated in my self-portrait series were Lithium Sunset and Secret Journey. The first song talks about how medication can help bring a person out of depression and make them strong enough to get back up again. While the second song, Secret Journey, talks about a mystical journey of enlightenment. I printed out the songs from Sting’s website, www.sting.com, pasted them in my sketchbooks, and underlined words and phrases that I thought were good candidates for illustration. And I referenced these songs and artworks of inspiration as I crafted my Artist’s Statement. As I searched through artwork that inspired, it became evident that I was drawn to the subject of the portrait, but I didn’t know how to make my work unique, because the portrait has been done numerous times before.
The imagery of Sting’s songs provided the perfect solution to my dilemma and I was off and running. My then-boyfriend, Dan, took photos of me to provide the source photos for my oil paintings. To make a long story short, I finished the series in time and even made a PowerPoint presentation as part of the project requirements of my finished works. In addition, I crafted an artist’s statement, which helped me to define the artwork by describing what the artwork would be about and what influences had to lead me to the finished work. I learned a lot about myself as an artist, such as how to distill ideas through writing artist statements and creating sketchbooks to illustrate my ideas by pasting artwork that inspired onto its pages. In particular, I discovered that I liked to make artworks that had a message, even if the search for the solution was far from easy. But back to my main question, “Why should artists work in a series?”
To investigate that question more fully, I did what many people would do, I googled it. The websites, Abundant Artist and Art Business.com, shed some light on the subject of content-based art. According to the authors, some of these benefits include: 1.) Making artwork in a series gives the artist a platform to connect with their audience on an emotional level because the artwork is focused and personal, 2.) Creating artwork in a series format helps others to understand what an artist’s work is about and who they are as a person, 3.) Artists who make artwork in a series are more likely to find art galleries to exhibit their work because they know how to market the artist and this format follow their business model, and 4.) Working in a series format helps artists to understand what topics/subjects are important to them, and which they like to draw or paint.
This week I am posting some photos of my latest painting, The Dream of Time Travel, which I started many months ago, and I am happy to say is finally complete! It is part of a series of paintings about the human condition, which is part of my portfolio for graduate school. These new works are a continuum of the series of paintings I completed as an undergraduate at McDaniel College, using the theme of the self-portrait, but expanding its representation to other themes such as poetry illustration. Thanks for stopping by!
When I started this new mixed-media series, which is based on poetry quotes, I was brimming with excitement and energy. I was on a roll, reading poems, writing notes, making sketches, and photo collages in Photoshop. Somehow though, about mid-way through the process, difficulties in composition and drawing issues in my sketches began to rear their ugly heads. In some instances, I got stuck and was unable to move forward. Some works were abandoned, while I took a break and started new works. Now, I have several unfinished pieces in progress, and I am trying to find motivation and energy to bring them to a conclusion. So, my new goal is to complete one painting a week to keep the momentum up, especially focusing on
those that have been languishing in my art studio. Why is it so easy to begin a new project, but difficult to finish it?
To that end, I am featuring a new work this week, focused on the theme of time travel. It has a bit of a surrealist tone to it with the theme of wishing I could go back in time to happier periods in my life, or at least, that is how I remember them. To represent this concept, I have included three self-portraits from different times in my life composed in a winter landscape. Time travel is something I used to be quite interested in as a child, during the 1980s. Popular books and films featured this concept such as Back to the Future, with Michael J. Fox, Somewhere in Time, featuring Christopher Reeve. I also read books about this topic, such as the book, The Hunky Dory Dairy (1986), written by Anne Lindbergh, in which a young girl is transported from the 1980s to the nineteenth century one Saturday morning on an errand to fetch milk and a newspaper.
Hello Friends, I am recycling an old blog post here, because it seems so relevant to the struggle I have had in getting this new series, Voices, and Visions off the ground. It has taken me several months to get traction, but I finally have some sketches to share! At last! The series is about the human condition, and is inspired by poems, by writers such as Williams Wordsworth, who wrote the poem, “The World is too much with us.” Though it was written several hundred years ago, in 1807, about the conflicts between our connection to nature, and the pull of materialism driven by the industrial revolution in England during the 19th century, it still seems so relevant today. Anyways, on to the blog post, which is about the Artist’s Block.
What is Artist’s Block?
Art of Schmidt Blog Post
This year has been a difficult one with lots of transitions and changes. One of these big changes was my decision to drop out of the Human Services Associate’s degree program at Frederick Community College, after 18 months of double-mindedness between feeling like I had to finish it because I didn’t have any other solid plans for my career, and I had already put in countless hours writing papers, studying and completely fieldwork. I had felt burnt out and unmotivated to finish the program, and I also felt split in half between my desire to be a professional artist and the need to carve out a definite career plan for myself. It was a difficult decision but I finally decided to drop out after some soul searching and talking with my academic advisor for a variety of reasons. In addition, the workload that this academic program demanded left very little time for creating art. And if I am 100 percent honest with myself, I have always wanted to take my art to the next level beyond just a hobby, but felt unsure of how to pursue this goal after I graduated from McDaniel College with a degree in Art in 2005, and it didn’t seem “practical” to pursue art as anything more than a hobby. I always felt somewhat unsure if Social Work was really the right path for me in contrast.
Lately, I have been learning that creative time is important to me and my well being. Creating artwork has been an outlet for me at various times in my life during stressful moments and personal struggles, especially during my father’s long illness and eventual death in 2011 from heart disease. Making paintings and drawings in oil, watercolor, pastel, and pencil has provided me with a safe way to process difficult feelings and emotions. However, lately, making art has been very challenging and more like a test of endurance and skill than the oasis or refuge it used to be. In spite of the difficulties, I have been pressing on with sketches and paintings to prepare for my October art show at the Frederick Coffee Company as Artist of the month. However, the joy I once felt in making art seems to have deserted me. I am making very slow progress with starting only 1-2 paintings a week, after looking at some reference photos I took of Catoctin State Park, here in Thurmont, MD. What is going on here? How can I go from feeling like creating artwork is my lifeline, to it has become my enemy and tormentor and relentless critic? After reading an article, entitled, “7 Types of Creative Block(And what to do About Them)”, by Mark McGuiness, I think I am beginning to understand that this lack of forwarding motion is the dreaded Artist’s Block that seems to afflict creative types from a variety of field from musicians, writers, and artists.
As I mentioned in last week’s post, I have been struggling with artist’s block this summer. During this journey, I’ve tried various things to break out of it, such as: copying art demonstrations from art technique books, re-touching/re-working old paintings, and working in a prompt driven sketchbook. Unfortunately, the later project hasn’t been working out so great lately. I’ve been procrastinating on doing the daily prompts, and have felt uncertain as to which mediums to work in for the sketchbook pages, should it be watercolor, colored pencil, acrylic, gouache or something else that I use? I have been unhappy with the colored pencils because they take so long to build up color and tone and I want to get some momentum and finish the nature section so I can keep moving along. It’s also difficult to correct mistakes with this medium, and I am finding that a lot of my prompts are not living up to my expectations. All of which keeps me stuck in neutral, and not making new work consistently.
Some insights I have gained about my artist’s block
Maybe it’s also the heat of the summer, which seems extraordinarily hot, even for Maryland. Or perhaps it’s the dislocation I feel in adjusting to a new house, guilt (genuine or otherwise, about abandoning household chores to make time for art), or something else entirely. Whatever the cause, I want to come up with some solutions so I can move forward and make more art, and hopefully at least some of the pieces will turn out the way I envision or will be at least good enough to post on social media. This year there’s been a mix of both good paintings and some not so good paintings. The paintings I’m not happy with might get thrown out, or sanded and re-worked, depending on the state of the canvases. I feel dry and uninspired, and I feel I have reached the limit of my skill set in art. In fact, I feel I need more fuel for my creativity and knowledge base.
Tips for breaking through a creative block
While I am pondering these thoughts, I’d like to share some tips I picked up from an article, “How to Survive a Creative Slump,” by Our Daily Craft, on http://www.ourdailycraft.com/2017/02/21/survive-creative-slump, by Sarah White, February 21, 2017. A few suggestions that the author offers include: 1.) starting with a small creative project, 2.) working quickly, 3.) reading a book you enjoy, and 4.) organizing or cleaning something in your home. For instance, the author suggested a few small projects to help jumpstart your creativity such as 1.) “sewing a cloth napkin,” 2.) “knitting a headband,” 3.) Paint on a 4 x 4-inch surface, or “writing a haiku.” (Source: ibid) Since I am not particularly good at crafts or anything DIY, which I learned after re-finishing some furniture and all of my kitchen cabinets in my new home, I have settled on painting a 4 x 4-inch canvas of Canada Geese. I re-worked this miniature canvas in oil paints about a week ago, and I am fairly happy with the result. Another suggestion that the author makes is to re-visit old projects that you had left unfinished. (Source: ibid) I certainly have a pile of unfinished works-such as unfinished drawings, pastels, and pages in my sketchbook where things just didn’t come together. Perhaps it would be a good problem-solving exercise to utilize my creativity.
In addition, the author also discussed making something quickly-which I’m not sure I would do
since most of the problems I have had with my art have been poor planning. Another problem which leads to unsatisfactory art for me is not spending enough time checking the accuracy of the drawing, as unfortunately happened with my latest portrait of Lincoln, which I decided to re-work and re-draw with oil paints. Needless to say, it didn’t turn out that well. Maybe if I were an abstract painter I could get away with a more intuitive approach to painting, than a more structured one with specific steps, but I am not. Since I am a more traditional painter, I am sticking with what works for me, which is starting with a drawing, adding three values in pencil to the sketch, and then making a colored sketch to base the final painting upon. Unfortunately, the more I tried to fix the drawing, the worse it got. In the end, I finally decided to abandon it, and start with a new sketch on a totally different substrate on a larger scale. It hasn’t become a painting yet, but I think I identified some drawing errors in the painting, by making a new sketch.
However, one thing I do want to try is to read a novel, article, or poem, to try and get some new ideas flowing. Some of my best works have been inspired by the poetry of Dickinson and Frost. Maybe reading literature will also help me to become a better writer and get me out o this writer’s block I seem to be assailed with lately. How about you? Do you have any suggestions for breaking out of a creative rut? I’d love to hear! Just post in the comments section of this blog. Thanks for stopping by!
I’m so excited to announce that I sold two original oil paintings, Gerbera Daisy and Jack Daniels via my Etsy website, https://www.etsy.com/shop/ArtofSchmidt, with a little help from a Facebook post I made last night. It is a welcome relief after several months of no sales from original pieces. Now I need to start adding new work to make up for the missing spaces.
I’d love to hear from you about what subject matter I should include. What’s your favorite subject? Animals, still life, landscape or portraits?
Artists: What kind of Artist Are You-Amateur, Hobbyist or Professional?
Why I decided to Write about Artist Types
It’s been awhile since I last posted on this blog, and I have debated off and on within myself, whether to continue blogging about the series I started in May called, and famous failures. However, at the end of the day, I decided that I would switch gears and write about a more arts-based topic. Instead, I decided to examine the topic of different artist types and the pros and cons of each type. It’s my belief that there is no superior type of artist, and that it is all about what type works best for you. However, I do think that it takes a very unique person to be able to combine the roles of both artist and entrepreneur.
In my opinion, such individuals must be extremely dedicated to making art their life’s work, no matter what it takes, or how much time they have to invest in learning their craft and other business skills to make a profit. On the contrary, not every artist has that sort of drive or wants their art to be consumed by the public as a commodity. Perhaps for some, art is an outlet for their feelings and experiences and they would rather keep that private, which is perfectly fine. Meanwhile, there are other artists who find themselves somewhere in the middle between hobbyist and amateur artist. These artists, sometimes called, “double jobbers,” want to take their art to a more professional level, but also work a day job, such as the British artist described in the article, “The Double Jobbers, Making a Living into eh Arts, by Kathy B. Sweeney, posted on The Guardian,https://www.theguardian.com/culture/2012/jul/29/living-working-in-the-arts. Consequently, they are not pressured to make a living from their art. On the other hand, there are artists who cannot imagine doing anything else with their lives and spend almost all of their time marketing and making their artwork. The three types of artists which I will discuss in this blog post are a hobbyist, amateur, and professional artists, along with the pros and cons of each type.
Why is it important to know what type of artist you are?
I picked this topic because I have been wrestling with the question about what category I fall into as an artist: Amateur, Hobbyist or Professional? In my opinion, it’s important to know which category of artist that you fall into because there are specific actions that you need to take if you want to go beyond making artwork for pleasure and start making it with a business mindset. According to author, Alyson Stanfield, who wrote the art business book, I’d Rather Be in the Studio, it is not enough just to make art, you need to learn about how to market and sell your art, as well as to sharpening your artistic skills and creating a specific body of work that showcases your unique style as n artist. (Sources: Artwork Archive, “Alyson Stanfield Shares Her 10 Best Marketing Tips,” https://www.artworkarchive.com/blog/alyson-stanfield-shares-her-10-best-art-marketing-tips, accessed on 06/14/18, and Alyson Stanfield, I’d Rather Be in the Studio!, preface, pg. 1, 2008, Pentas Press, Golden. Colorado, and Aletta de Wal, “Hobbyist, Amateur or Professional Artist: Which Are You?” http://emptyeasel.com/2011/02/01/hobbyist-amateur-or-professional-artist-which-are-you accessed on June 6, 2018. )
My Journey as an Emerging Artist
After my father died in 2011, I realized that I wanted to make the most of the time I had left. I wanted to live without regrets about not pursuing art to the highest extent possible. For as long as I can remember, it has been my dream to be an artist. In fact, my grandmother reported in her scrapbook that I began drawing at the age of 3. When I first started making art with the intention of selling it, back in 2011, my catalyst for making art was that I needed an avenue to express my grief.
Deciding what level of involvement in art I want to have in my life has modified my choices and informed my decisions about my career, how I spend my time, and how I spend my money. I’ve gone from being a wide-eyed dreamer of a someday art career, as an art student, who lived amongst the bubble of the art community, to living life after college with all its startling reality. This world I now live in includes: bills, student loan debt, working as much as I can on my art while balancing a night job, experiencing frequent rejections for art shows, and feeling unrelenting and crushing self-doubt about my abilities as an artist. I feel I have been drifting without many purposes in my quest to be a professional artist, and it’s making me wonder whether this is the life I really want.
Making the Jump from Hobbyist Artist to Amateur Artist
In more recent years, I have really stepped up my activity to bring my art to a more professional level, such as: creating profit and loss sheets in Excel, designing an art catalog of inventory, launching an artist website, blogging about art, participating in more frequent art shows, hosting studio sale events at my home, producing custom art, and starting commerce shops on Etsy and Red Bubble, etc. However, all of this activity has been challenging and sometimes disappointing. It seems to me that no matter how hard I try, I am still struggling to sell my art consistently. I have also made efforts to connect with people on a personal level through writing blog posts, and producing artist newsletters.
However, I am still not making a profit and instead, I find myself falling into debt to pay for framing, art supplies, and marketing expenses. Even more importantly, I feel I have lost the joy of making art in the midst of all this business related activity. Consequently, I’ve had severe doubts about whether I want to be a professional artist, because of the amount of work, time, emotion, skill, and unflagging confidence a professional artist must have to survive. I wonder, are I any other artists are struggling with this situation? And I’m also asking myself, do I really want to be a professional artist, or not? If not, then what type of artist do I want to be?
What are some Specific Types of Artists?
To investigate and to define the different types of artist that anyone can be, I read an article entitled, “Hobbyist, Amateur, or Professional Artist-Which are you?” written by Aletta de Wall on the website, Empty Easel, at http://emptyeasel.com/2011/02/01hobbyist-amateur-or-professional-artist-which-are-you. The author, De Wall, states that there are three categories of artists and they are: Hobbyist, Amateur, and Professional and that each type is distinctly different. (Source: ibid)
The Hobby Artist
For example, hobby artists are not trying to make a living from their art, and they may only make art when the creative bug bites. (Source: ibid) In addition, hobby artists may study for many years and hone their craft by taking classes and workshops, but they may not ever receive the recognition that their work deserves because they are not taking actions which would promote their art effectively, such as having a business or marketing plan. (Source: ibid) On the other hand, an advantage of being a hobby artist is that there is no pressure on them to cater to a specific audience or make a profit, so they are free to experiment with a variety of media and subject matter and styles and techniques. They may also have more time to make art because there is no imperative to make a profit and engage in business-related activities such as marketing, bookkeeping, or sales.
The Amateur Artist
Another category of artist types is the amateur artist. This type of artist has started to play with the idea of making their art into a profession. (Source: ibid) Perhaps they have started to think that they need to start selling their art to help foot the bill for their art supplies, and to start being able to deduct their art expenses from taxes. (Source: ibid) An important distinction between hobby artists and amateurs is that amateurs are willing to give up their personal time in order to learn how to sell their art and creating new works. (Source: ibid) However, they may be uncertain about how to turn their passion into a viable business. (Source: ibid)
The Professional Artist
Finally, the last category of artists that this article discussed is professional artists. This type of artist is distinguished from the other two types of hobby artist and amateur artist because they consider art to be their profession. (Source: ibid, and Drew Kimble, “9 Warning Signs of an Amateur Artist,” https://skinnyartist.com/9-warning-signs-of-an-amateur-artist, accessed on June 7, 2018. )
These types of artists want to make a profit from their art, build a following, and continue to build their business skills at the same time. They have an intense level of dedication to their art and are willing to sacrifice time, money, sleep and do whatever it takes to make a profit. (Source: ibid, and Drew Kimble) They might work another day job to help support their business or eventually quit their day job when they are able so that they can devote more time to making art and learning how to sell it. Other activities that they engage in are: making studio time a daily habit, applying for grants, writing artist newsletters, submitting their artwork for review at galleries and art fairs, write business plans, extend their knowledge of effective business practices by attending art business workshops, etc. (Source: ibid, and Hayley Roberts, “Twelve Things No One Ever Tells You About Being An Artist,” The Huffington Post, https://www.huffingtonpost.com/hayleyroberst/twleve-things-no-one-tell.html. accessed on June 7, 2018.) They also promote their artwork online and offline through social media, their artist website, and in real life artist events, such as art gallery openings, art festivals, etc. (Source: ibid)Some may also make a living by teaching their craft to others. (Source: Aletta De Wal, “Hobbyist, Amateur, or Professional Artist-Which are you?”, and Hayley Roberts, “Twelve Things No One Ever Tells You About Being An Artist,” ) .
These artists may receive more recognition for their artwork, but they may also experience more criticism and rejection than the two other types because they are more aggressively pursuing art gallery representation, etc. In addition, they may have less time for making artwork because they have to balance making art with business-related duties. Furthermore, they may struggle to sell their art or make consistent income and they may face stiff competition from other artists because it is such a saturated field. It is a long road for these artists towards building a following and making a success from their art, but they are dedicated for the long haul. (Source: Drew Kimble, “9 Warning Signs of an Amateur Artist,” https://skinnyartist.com/9-warning-signs-of-an-amateur-artist, accessed on June 7, 2018. )
What about You? What Type of Artist are you?
So what about you, reader? What type of artist are you? I would love to hear about your dreams and hopes with regards to making art. Thanks for taking the time to stop by and read this. Next week, I will be talking about this topic of artist types in more detail, with a slight twist. The twist will be a more in-depth look at what it really means to be a professional artist and why it has been traditionally so difficult to be successful in this field.
The photos below are a collection of art demonstration paintings that I created to help re-teach myself how to draw in pastels and to prepare for the pastel workshop I taught on June 16, 2018, at the Colorful Canvas art supply store. Also included are photos of my art students at work and the pastel drawings they created at the class. Please note, the pastel drawings pictured here are based on the art demonstrations found in the book, The Art of Pastel, published by Walter Foster, in 2010. These pastel drawings are not my original works and are not intended for sale. The works were made simply to practice pastel drawing techniques and help my students to have a demonstration format to follow. In addition, the pastel drawings were originally created by the artists, William Scheider and Marla Baggetta, and no copyright violation is intended.
I am taking a break from blogging on my Art of Schmidt site until life calms down a little. I’ve been juggling an art show deadline that’s looming and the art hasn’t been coming
together, and some health issues. I hope to get back to blogging more frequently after the art show opening, On and Off the Wall at the Artists Gallery in Frederick, MD. I will be joined by many local artists who work in a variety of media. All art will be for sale via silent auction and proceeds will help raise funds for the continuation of the gallery, which is operated exclusively by artists. For now, here are some progress photos of my box entry, Stopping by the Woods. Here is a link to the art show if you want to know more about it: http://www.theartistsgalleryfrederick.com/march-2018-box-show.
In my next post, I hope to show you the completed project, but for now, I am still figuring out how to bring it to a successful conclusion. I was not happy with how the sides of the box turned out, so I am re-doing them from scratch in Photoshop. Next week, I hope to transfer these images to the box and paint the panels in Acrylic. Here are the Photoshop files in progress that will be displayed on the other sides of the box. The box is based on the poem, Stopping by the Woods on a Snowy Evening, by Robert Frost. I love this poem because it is so mysterious. Is he talking about death, life, or the push and pull between responsibilities and dreaming, when he stops to admire the snowy woods, but then decides that he has other things to get back to at the end of the poem when he says he has “miles to go before I sleep”. I think the poem can be open to many interpretations and that’s what makes it interesting. Thanks for stopping by!
This week I have really been struggling to come up with a new topic for this blog. At first, I thought I might write about time management strategies and how I have been implementing my Ideal Week schedule template I mentioned last week. However, the trouble with that topic is that I still haven’t taken the time to write it out, but I did download a copy of the Ideal Week schedule template pdf from Michael Hyatt’s website, and so it did get me started thinking about what I have been spending my time doing other than painting, and the reasons why I have been putting it off… Then I thought I might write about the top ten contemporary living artists in an article by Artsy.net, but as I read about what these artists represented in their work, it didn’t seem to fit the type of painting I do, so I decided not to do that.
After some reflection, I am realizing that one of the reasons I have been putting off painting has been that I have not had any inspiration about what to paint, despite the vague idea that I might start up my poetry series again. But somehow I haven’t been making much progress there. Instead, I’ve been working on other things for my art business that needed to get done, and which I have been procrastinating on, due to a large number of art shows. One of these tasks was to get up to date with my profit and loss sheet. Yesterday, I researched different blog topics that I thought might get me motivated to paint again, and I read my blog topics list. Amongst the topics I have listed, was one that stood out for me. That topic was to write about artists that you admire and why you like that particular artist. Immediately the name Richard Diebenkorn came to mind.
Perhaps I thought of him because it reminded me of a conversation I had with an old friend about artists, and she mentioned that her stepmother had introduced her to the art of Richard Diebenkorn. On the other hand, maybe I was reminded of a documentary about Richard Diebenkorn I had watched on YouTube several months ago which featured a presentation by his daughter in which she described his works and shared some interesting facts about his life, such as how his home in California influenced his art. Or perhaps I thought of Diebenkorn’s work because it reminds me of the kind of subject matter I used to draw and paint when I was an art student at McDaniel College, which was figures in interior spaces, with an emphasis on color. For whatever the reason, he came to my mind and so I started researching facts about his life and trying to learn all I could about his artwork.
From the article, Diebenkorn’s First Steps, on artsy.net, I learned that he was introduced to art at an early age by his father, Richard Diebenkorn, Sr. who entertained him “with pieces of cardboard placed between the folds of crisply pressed shirts from the dry cleaner.” (“ Diebenkorn’s First Steps”). As a young child, Diebenkorn drew trains and locomotives on the “smooth, white surface of the paper.” (Ibid). And, he continued to pursue art for many years after that, despite a lack of support from his father, who wanted him to pursue a more practical career path in law or medicine, during his time as a student at Stanford University, where he attended undergraduate classes in 1940. (“Richard Diebenkorn: Biography, Art, and Analysis of Works”). Instead, he decided to study art and art history, and he successfully combined influences from many art styles such as Abstract Expressionism, Color Field Painting and “belle peinture” or the beautiful painting.” (Ibid).
He was able to seamlessly shift from abstraction to figuration in his long career as an artist, painting figures in interior spaces, and abstracted landscapes and cityscapes of his home in California. (Ibid) But whatever the subject, he continued to incorporate bright color and shape, which gives his paintings an unmistakable brand as a Diebenkorn, not to be confused with any other artist. According to Amy Crawford, Diebenkorn was highly influenced by the artwork of Henri Matisse, another fine colorist. (The Lasting Influence Matisse Had on Richard Diebenkorn’s Artwork, Amy Crawford, March 2017, Smithsonian Magazine, www.smithsonianmag.com/arts-culture/lasting-influence-matisse-richard-diebenkorn-artwork. In addition to reading up on Richard Diebenkorn and his art, I gave myself the assignment to copy two of his paintings which describe his various subject matter of figures in interior spaces and abstracted landscapes. I had a lot of fun with drawing the shapes and mixing the colors. The two paintings I copied this week are Woman on a Porch, Richard Diebenkorn, 1958, oil on canvas and Cityscape 1, (Landscape No. 1), 1963, Richard Diebenkorn, oil on canvas. The one difference in approach to my paintings and Diebenkorn’s are that my version was painted in acrylic paintings rather than oils. I also include some of my original self-portraits in oils, because I think they show the connection in subject matter and color between my works and Diebenkorn’s paintings, although my approach is more restrained and traditional with subtle gradations of tone and color. Copying these paintings by Diebenkorn showed me just how much I enjoy painting the figure and using bold color. Since completing the 100 Faces in 100 Days drawing Challenge on Instagram, I have really missed working in color. Thanks for stopping by!
This is stage one of the painting I copied, Woman on a Porch, 1958, Richard Diebenkorn. Acrylic on Canvas. The original painting was made with oils.
Here is stage 2 in which I re-worked some of the colors to try and get closer to the original painting by Diebenkorn. Note: This painting is a copy, not an original work and is intended for educational purposes only.
Here is another copy of Diebenkorn’s painting, Citycape 1, (Landscape No.1), 1963. I just started this painting today. Also a copy.
Here is a self-portrait I painted during my years as an art student at McDaniel College. Let Your Soul Be Your Pilot, 2005, Jodie Schmidt, Oil.
Self-Portrait, Oil on Canvas, 2005, Jodie Schmidt.
Self-Portrait with Red Shirt, 2004, Jodie Schmidt, oil.