Lessons Learned: My Gypsy Path as an Artist

This week I am writing about my somewhat haphazard journey toward becoming an artist and some lessons I have learned along the way. I also add a few insights from some famous artists that I feel provide a meaningful segue for my thoughts. A few months back when I was hosting an Artist opening show at Spin the Bottle Wine Company in Frederick, MD, one of the visitors to the wine shop asked me how I got my start as an artist. I answered that my mother had always encouraged me to make art and that she had enrolled me in a watercolor painting class at the age of nine. Since then I have taken many other art classes at the Howard County Center for the Arts (acrylic and watercolor), Howard Community College (drawing and photography), McDaniel College (graphic design, sculpture, drawing, and oil painting), and art classes with local artist Rebecca Pearl for watercolor, to name a few.

My journey has not been a straight path to overnight success. Instead, it has had many ups and downs, despite how things might look in my carefully timed and worded Facebook Posts and artist biographies that I write. For example, I don’t post artwork that I don’t like for the most part, and the ones I do post have often been reworked several times. Furthermore, the artworks that I show in galleries, coffee shops, etc., are examples of my best work, culled from unfinished works, experiments, and messes. In the words of poet Langston Hughes, “This life ain’t been no crystal stair.”

I can’t speak for the path of other artists, but after I graduated from McDaniel College with a bachelor’s degree in art, I struggled to find a path that would work for me. After graduation, I had to balance the realities of everyday realities such as student loan payments, with my dreams of being an exhibiting and teaching artist. My transition from being an art student in a creative bubble, to the world outside those walls, was not seamless. For instance, it was hard to deal with the isolation of being an artist without a group of creatives to cheer me on or encourage me when rejection inevitably came, in the form of rejection letters from Graduate Schools, such as Towson University, MICA, and James Madison University.  There were also rejection letters from art galleries that rejected my artwork. At the time, I thought the only way to be an artist was to teach art or to exhibit my artwork in juried art shows.

During this time, I took classes in a variety of subjects other than art, trying to find out what I wanted to do with my life, such as history, social work, and graphic design. None of these seemed to “fit”, and I usually ended up returning to art again at some point, either by taking another art class or by making art on my own time on days off from work or in the evenings. I worked in customer service jobs as a library assistant, and hostess, and next, I work as a Receptionist at a Funeral Home. I have learned that there are many different ways to be an artist, whether it provides your livelihood or not. At present, I divide my time between working as a part-time Adjunct faculty art teacher and making art in my spare time. I’m constantly looking for new opportunities to exhibit my art or share my art with others on Instagram and Facebook, or at art festivals or coffee houses.

One of the most valuable lessons I have learned during my creative journey as an artist was to be careful with whom I showed my art and to carefully filter people’s comments about my art to see if they are helpful. I’ve had some bad critiques in the past and so I try to choose people who have my best interests at heart and who have some art training but are not pretentious or mercilessly blunt.  Source: Elizabeth Gilbert, Big Magic, and 10 Life Lessons from History’s Most Famous Artists, Kim Smiley, 03/02/17.

And finally, another lesson that I am currently in the process of learning is that it takes a lot of time, sweat, and tears to perfect one’s craft as an artist. By no means does excellent work occur in and of itself. It takes years of practice and determination not to give up on practicing one’s art. For example, according to Kim Smiley, the Renaissance sculptor, painter, poet, and engineer, Michelangelo, knew that it took patience to create art, and likewise, Leonardo Da Vinci, states, “Art is never finished, only abandoned.”  According to Smilet, artists should “go against the grain” of our modern culture to get everything done quicker, and instead take their time to create quality work and the patience to carry it out. One way that I am working on practicing my craft has been to challenge myself to draw a portrait a day, or as often as possible. Every time I create a portrait of a celebrity, changemaker, or another historical figure, I post the results on Instagram. So far I have created 91 line portraits out of the 100 I planned to make. It’s a work in progress. If you are interested in following my drawing challenge, 100 faces in 100 days, you can find me on Instagram as jsjsschmidt2, or you may view my website, www.artofschmidt.com, which has a link to my Instagram page and is updated each time I post a new drawing.

Author’s Note: This blog post is from my archives but the artwork is new, and it illustrates some of the new work I have been making in my art sketchbook.  The goal for these works has been to try to re-do unsatisfactory artwork in these pages and complete the work as a series which different topics each month. This month my focus is on nature. I only started this project about a month ago, and have already learned so much about color, value, and composition!

And by the way, if you are looking for a fun class in which to practice your color mixing and drawing skills, you might enjoy my course: Beginning Pastels at Delaplaine Art Center. To learn more, click on this link: https://delaplaine.org/. I give detailed tutorials on topics such as how to mix color and create value scales to help you to create the artwork you will love! I teach the fundamentals of art such as line, shape, color, and value to give you the tools to make artwork both in my classroom and beyond! There is no grading or homework, so the pressure is off if you were thinking it was another academic type course. I try to teach you fundamentals in a fun and supportive environment.

Page from my sketchbook made with Prismacolor colored pencils.
Another page from my sketchbook with a mixture of acrylic paint, gel pens, and watercolor.
One of my first re-do paintings was made with oil pastel, a medium I am not very familiar with but wanted to work with more often.

The Benefits of Creativity

Did you know that creativity can enhance your life in many ways? According to a Forbes article entitled, “Here’s how Creativity Improves Your Health,” by Ashley Stahl of Forbes, being creative has many benefits. These benefits include: improving your mood, reducing stress, and improving cognitive function since your right and left hemispheres to work together when you are creating.

It doesn’t matter what form creativity takes to get these benefits. Some different creative activities such as sewing, coloring in a coloring book, etc. Join me this summer in my Continuing Landscapes in Pastel to improve the quality of your life on many levels and make time for creativity in your life! To learn more, visit https://delaplaine.org/.

Continuing Landscapes in Pastel, Summer Course Update

There are still some spots available for my upcoming, Continuing Landscapes in Pastel at the Delaplaine Art Center. If you are an oil painter or love to work in color, but would like to try out a new medium, this might be a great course for you.

Or, if you want to work in a more forgiving art medium than watercolor, pastel could be the perfect choice for you! It’s a wonderful medium that combines all the characteristics of drawing which is generally a dry media, with the painterly characteristics of color and texture, such as oil painting, but in contrast, pastels have no drying time.

Working in soft pastels also doesn’t require a full complement of art supplies, such as pallets, brushes, or water jars. Instead, you can get started with just some soft pastels, erasers, pastel pencils, and pastel paper to begin your creative journey. Easy to set up and easy to clean up. No brushes or palettes to clean! And it’s so easy to correct your mistakes, with a kneaded eraser. What could be better? Here’s a sneak peek at some of the projects we will work on colorful meadows, fall scenes, and even a mixed media garden landscape. Please visit: https://delaplaine.org/ to sign up or learn more about this wonderful course!

Coming soon: Landscape Pastel Art Course

Don’t miss out on a chance to take my intermediate pastel course for landscapes! Pastel is a forgiving medium and it allows you to experience the best of both worlds with drawing and painting. With pastel, you can create colorful drawings that are easy to revise and there is no drying time to wait for, as with other art media, such as watercolor, acrylic, and oil. Also, this medium can be used in conjunction with other media, such as watercolor for painterly effects! To learn more, please visit https://delaplaine.org/.

Update: Summer Courses I am Teaching at the Delaplaine

Hello friends, fans, and family,

This summer I am teaching two great art courses at the Delaplaine Art Center in Frederick, MD! The first course begins on June 22nd, and it’s called, Drawing into Calm: A mixed media survey course. In this course, you will learn how to work in a variety of media from watercolor and pen to acrylic and pastel. We will explore which media are compatible, such as watercolor and ink pen, and gain inspiration from a variety of famous artists, such as Monet, Paul Klee, and Odilon Redon, among others! It’s a course that is perfect for beginner artists and will explore both drawing demonstrations and painting demonstrations, as well as collages. If you want to try new media or love art history, this might be the perfect course for you! Visit the Delaplaine website at: https://delaplaine.org/, to register or learn more.

The other course I am teaching is called, Continuing Landscapes in Pastel, and it’s perfect for experienced pastel artists who would like to learn more about color and value in the context of the four seasons. This course is geared toward more experienced artists who have some drawing experience. The four seasons, summer, autumn, winter, and spring will provide a context for exploring the elements of art, value, and color, such as using cool colors like blue or violet to depict snow, and warmer color palettes to illustrate fall foliage. Both courses are designed for adults. To learn more, visit https://delaplaine.org/instruction/classes-workshops/.

Harmonizing on a Line, Mixed media collage, Jodie Schmidt, 2022.
Mixed Media Cow Collage, Mixed Media: torn papers, metallic wrapper, painted papers, watercolor, crayon, ink, and colored pencils, Jodie Schmidt, 2022.
Odilon Redon Knock off, Pastel on paper, Jodie Schmidt, 2022.
Pizza Painting, Acrylic Paint on canvas board, Jodie Schmidt, 2022.
Mosaic Magazine Collage: Grand Canyon, Magazine papers, and pastel on paper, 2022, Jodie Schmidt.
Child at the Beach, Pastel on paper, Jodie Schmidt after Rebecca Le Mendonca, 2022.
Creating Depth, Jodie Schmidt after Marla Bagetta, Pastel on paper, Jodie Schmidt, 2022.
Rocky Tor, Jodie Schmidt after Rebecca Le Mendonca, Pastel on paper, 2020.
The Birches, Jodie Schmidt after Rebecca Le Mendonca, Pastel on paper, 2022.

Spring Courses at the Delaplaine, Update!

Hello friends, fans, and followers,

The good news is that my art courses at the Delaplaine are filling up! And, the good news for you is that there are a few more spots left! The three courses I will be teaching are Classic Drawing, a beginner drawing course, Drawing into Calm: A Mixed Media survey course, and Landscapes in Pastel: The Four Seasons.

The drawing course is great for those who have always wanted to draw but did not know where to begin, and I will teach you four different drawing modalities such as contour drawing, and using shapes to construct forms. With so many options, you are bound to find a method that brings you excellent results!

The next two courses, Drawing into Calm and Continuing Landscapes are a bit more advanced. In the former, we will study a variety of different art media such s watercolor, pastel, collage, and much more! It’s a veritable buffet of art media to try each week with lessons on collage and painting with subject matter that includes, animals and landscape. You will learn what media works best together in combinations that you wouldn’t have imagined, such as wax resist and collage!

And in the course of the landscape, we will explore a variety of light and color effects such as filtered light to imitate the qualities of the four seasons, such as spring, summer, fall, and winter! Soft pastel is perfect for those who love to paint, but don’t want to wait for it to dry! The elements of art, such as color, shape, form, and value will inform each lesson, and you’ll learn valuable skills such as how to mix colors to get the exact color you want! To learn more, visit https://delaplaine.org/instruction/classes-workshops/. Thanks for stopping by!

Goldfinch collage, Mixed Media, 9.5 x 12 inches, 2022, Jodie Schmidt.
Jodie Schmidt after Karen Margulis, Using a Tunnel Composition, pastel on paper, 2022. This painting was entirely based on a youtube tutorial by Karen Margulis, a pastel teacher extraordinaire, whose art tutorials are available on youtube.
Jodie Schmidt after Walter Foster, Still Lifes, pencil on paper, 2022. These drawings are based on art tutorials from one of my favorite drawing textbooks, The Complete Beginner’s Guide to Drawing: More than 200 Drawing techniques, tips, and lessons, Walter Foster, 2016.

Spring 2022 Courses at the Delaplaine

Hello friends, family, and fans,

My beginner drawing course is now officially full! I am so excited, but there are still some open spots in my mixed media survey course, Drawing into Calm, and Continuing Landscapes, The Four Seasons. To learn more, visit http://www.delaplaine.org. Here are some photos of the artwork I plan to demonstrate for these courses, to give you a sneak preview!

Grocery List Doodle, Mixed Media, 2022, Jodie Schmidt.
Midnight Crow, Mixed Media, 2021, Jodie Schmidt.
Rocky Tor, After Mendonca, Pastel on paper, 2020, Jodie Schmidt.
Aspens, After Mendonca, pastel on paper, 2020.
The Four Seasons, Watercolor with pastel, 2022, Jodie Schmidt.

Spring Course: Drawing Calm: A Survey of Mixed Media

This spring I am teaching a new course called, Drawing Calm: A Survey of Mixed Media. Have you ever wondered if you can combine more than one art medium? You can, and this course might just be what you are looking for! Click here to learn more: https://delaplaine.org/class/?id=22-4-DR03.

The Importance of Color in Art: Choosing a Color Palette

Today I am blogging about an introduction to the color wheel and how artists can use it to choose an effective color combination. Since last week, I have been consulting a reference book entitled, Color is Everything, by Dan Bartges. I wanted to try out some various color schemes for my Biographical Portrait of Sting, which I posted about in last week’s Sketchbook blog post.  After consulting the book about possible color schemes, I tried out two versions of a tetrad color scheme; one is described on pg. 35, and consists of oranges, reds, and greens, while the other color combination includes blue-greens, red-oranges, yellow-oranges, and blue-violets and is described on page 36.  But before I get into the definition of tetrad color schemes, I would like to give a short overview of the color wheel and how it can improve an artist’s artwork.

According to the article, “Color Psychology: The Emotional Effects of Colors”, retrieved from www. art therapy blog.com, the color wheel displays the three primary colors and its secondaries, and the twelve colors which are included on the color wheel are yellow, yellow-orange, orange, red-orange, red, red-violet, violet, blue-violet, blue, blue-green, green, and yellow-green. The most important colors displayed on the color wheel are red, yellow, and blue, from which you can mix almost any color. (ibid) However, this concept should be considered in a theoretical context, because paints do not necessarily contain only one color. (ibid) In fact, paints often contain traces of other colors which can affect the final outcome of color mixtures, towards a warmer or color tone of a specific color. (ibid) Some colors that you can mix from the two primaries include: yellow + red= orange and red + blue= violet.

According to the author, Bartges, a triadic color scheme utilizes three colors which are equidistant from each other on the color wheel, and these colors create “a strong, triangular relationship.” For example, a commonly used triadic scheme for landscapes includes: green, orange and violet. And the “most visually powerful triad is red, yellow and blue, which are called the primary colors. In my upcoming courses, I will be instigating color in a variety of media such as pastel, collage, watercolor, etc. Starting in April, I will be teaching several art courses where I will be exploring the concept of color in a variety of courses, such as: Landscapes in Pastel, The Four Seasons, and Drawing into Calm: A Mixed Media Survey Course, at the Delaplaine Art Center. To learn more, visit: https://delaplaine.org/.  You can register for the classes on their website by going to the instruction link, and then going to the classes and workshops link. Thanks for stopping by!

Update on New Art Classes: Winter 2022

Hello Friends, Family, Visitors, and potential Students,

I will be teaching a number of classes at the Delaplaine Art Center starting in February. In February, I will be teaching a Beginning Pastels Course, where I will guide you through basic techniques of pastel, such as broken color, shading, and simple drawing skills, such as working with basic shapes. We will gradually work our way through these skills and learn to work from black and white gray scales to full color with gradient scales, gradients, and color wheels. As a final project, we will copy Monet’s haystacks series in which we will apply broken color techniques and color mixing to replicate the style of the Impressionists. To learn more about this course, or to sign up, please visit https://delaplaine.org/instruction/classes-workshops/drawing/.