Join me for a chance to relax and be creative at Frederick Community College this May and June. I will be teaching noncredit courses, so there is no pressure to earn a grade or do homework, however, I teach it like a college class so you get to learn some of the critical fundamentals of art such as color, line, and value. To learn more, visit: https://www.frederick.edu/class-schedules/downloads/ilr_spring_2023_schedule.aspx. My Continuing Pastels course starts on 5/5. Sign up today to reserve your spot!
Or, if that doesn’t work with your schedule I am also teaching a mixed media course entitled, Drawing and Painting: A Mixed Media Survey on 6/15, also at Frederick Community College. You can sign up for this course at the above link.
I am teaching a cornucopia of art courses at Frederick Community College in the Institute for Learning in Retirement department. These classes are short, and art is not graded like traditional credit courses. However, I teach the basic elements of art and offer group critiques, which are a vital part of credit art courses, so you get all the benefits of a credit course, without the grade.
They are perfect for those who want a short-term art course without a long time commitment. As a student, you will receive the benefit of my extensive art expertise as a student and art teacher, and receive constructive critiques, education in the basics of art, such as value, shape, color, etc., as well as individual art instruction. My courses will empower you to self-critique your own work and that of others, so that you can have the confidence to improve the quality of your artwork on your own. I offer a variety of mediums to choose from such as soft pastels, pencils, and mixed media!
I am currently on a break from teaching art classes at the Delaplaine, but I will be resuming teaching in February! One course is a several week’s long class on drawing animals in graphite, starting in February 2023!
The other course is a two-day workshop in which I explore color theory, painting in acrylics, and how to apply it to animal portraits! Meanwhile, I will be re-grouping and trying to re-kindle my love for art by looking at lots of art on Pinterest, trying out new mediums, and doing one of my favorite art challenges, Inktober!
The classes are Drawing Animals in Nature with Graphite, a course inspired by draftswoman extraordinaire, Lee Hammond, and, Whimsical Animals in Acrylic, inspired by another artist, Megan Wells, who wrote the book, Colorways: Acrylic Animals: Tips, Techniques, and Step-By-Step Lessons for Learning to Paint Whimsical Artwork in Vibrant Acrylic!
In the first course, we will learn all about how to draw and shade animal drawings, with a special focus on drawing supplies, such as blenders, mechanical pencils, what types of papers to use, and more! Lee Hammond specializes in making drawings that simulate old master techniques, such as gradients and smooth shading to create a realism that goes beyond your wildest dreams!
And in the two-day workshop, we will have fun with color, utilizing the color wheel to create dynamic color combinations such as complementary colors to bring new life to animal subjects. Rather than sticking to local color, we will explore how to abstract farm yard animals with color and bold, painterly brushwork to make painting a more fun experience! To learn more, visit https://delaplaine.org/.
Are you in a creative slump or want to try out other forms of art media? Then, my course, Drawing, and Painting: A Mixed Media survey is the perfect fit for you! To learn more about this wonderful course, visit https://www.frederick.edu/. Go to the schedules link and select, ILR Fall Schedule 2022 to view a detailed description about this course.
In this course, I will provide you with detailed art demonstrations, with different art media provided each week. We will draw and paint our way through different art styles such as Impressionism, and even abstraction. The wide variety of art media and styles will stimulate your creativity, and provide a space for you to create in a judgment-free learning environment. Beginners and seasoned artists are welcome, no experience is necessary, although some experience with drawing or painting can be helpful. This is an in-person, noncredit course at Frederick Community College.
Are you a beginner artist? Do you want to learn how to draw but feel overwhelmed about which method to try? Contour drawing, blind contour drawing, drawing upside down, constructing with shapes, etc. Then my class, Drawing for the Absolute Beginner is perfect for you! I will offer you guided instruction focusing on specific drawing methods every week, such as Contour drawing, blind contour drawing, drawing upside down, etc. Trying a variety of drawing methods can help you find the one that suits you best! This course is inspired by Betty Edwards’s book, Drawing on the Right Side of the Brain. To learn more, visit https://delaplaine.org/instruction/.
And if this class is full, try your hand at another course I am offering, Classic Drawing, and also at the Delaplaine. This course is also a great fit for beginners, or artists who are rusty in their drawing skills and want a brush-up. This course has a slightly different focus. We will be focusing here on specific elements of art, such as line, shape, form, and texture. I will alternate the class projects with step-by-step handouts and drawing from observation. The focus here will be on applying each element of art every week to your exercises and projects to build more aesthetically pleasing artwork. Whichever class you take, learning the skill of drawing, or improving your drawing skills is a fundamental tool in your artistic toolbox and will greatly improve your artwork, whatever medium you choose, whether it’s: collage, painting, sculpture, pastel, etc! I’ve been drawing and painting for many years (since about age 2) and find that drawing weekly keeps me to tackle any painting with confidence!
There are still some spots available for my upcoming, Continuing Landscapes in Pastel at the Delaplaine Art Center. If you are an oil painter or love to work in color, but would like to try out a new medium, this might be a great course for you.
Or, if you want to work in a more forgiving art medium than watercolor, pastel could be the perfect choice for you! It’s a wonderful medium that combines all the characteristics of drawing which is generally a dry media, with the painterly characteristics of color and texture, such as oil painting, but in contrast, pastels have no drying time.
Working in soft pastels also doesn’t require a full complement of art supplies, such as pallets, brushes, or water jars. Instead, you can get started with just some soft pastels, erasers, pastel pencils, and pastel paper to begin your creative journey. Easy to set up and easy to clean up. No brushes or palettes to clean! And it’s so easy to correct your mistakes, with a kneaded eraser. What could be better? Here’s a sneak peek at some of the projects we will work on colorful meadows, fall scenes, and even a mixed media garden landscape. Please visit: https://delaplaine.org/ to sign up or learn more about this wonderful course!
This summer I am teaching two great art courses at the Delaplaine Art Center in Frederick, MD! The first course begins on June 22nd, and it’s called, Drawing into Calm: A mixed media survey course. In this course, you will learn how to work in a variety of media from watercolor and pen to acrylic and pastel. We will explore which media are compatible, such as watercolor and ink pen, and gain inspiration from a variety of famous artists, such as Monet, Paul Klee, and Odilon Redon, among others! It’s a course that is perfect for beginner artists and will explore both drawing demonstrations and painting demonstrations, as well as collages. If you want to try new media or love art history, this might be the perfect course for you! Visit the Delaplaine website at: https://delaplaine.org/, to register or learn more.
The other course I am teaching is called, Continuing Landscapes in Pastel, and it’s perfect for experienced pastel artists who would like to learn more about color and value in the context of the four seasons. This course is geared toward more experienced artists who have some drawing experience. The four seasons, summer, autumn, winter, and spring will provide a context for exploring the elements of art, value, and color, such as using cool colors like blue or violet to depict snow, and warmer color palettes to illustrate fall foliage. Both courses are designed for adults. To learn more, visit https://delaplaine.org/instruction/classes-workshops/.
Do you have an interest in telling your family history through mixed media collage art? I have just the course for you! It’s called, Your Family Story through Collage art and will begin on May 4th from 6-8pm at the Adams County Arts Council in Gettysbn. Take your artwork to the next level and create content-based work that tells a story, using a variety of media such as photography from your family collection, old drawings, card stock, acrylic paint, charcoal, and more! We will upcycle old sketches from your sketchbook to create new and unique artwork! Click here to learn more: https://www.adamsarts.org/portfolio-item/your-family-story-through-collage-art/.
The good news is that my art courses at the Delaplaine are filling up! And, the good news for you is that there are a few more spots left! The three courses I will be teaching are Classic Drawing, a beginner drawing course, Drawing into Calm: A Mixed Media survey course, and Landscapes in Pastel: The Four Seasons.
The drawing course is great for those who have always wanted to draw but did not know where to begin, and I will teach you four different drawing modalities such as contour drawing, and using shapes to construct forms. With so many options, you are bound to find a method that brings you excellent results!
The next two courses, Drawing into Calm and Continuing Landscapes are a bit more advanced. In the former, we will study a variety of different art media such s watercolor, pastel, collage, and much more! It’s a veritable buffet of art media to try each week with lessons on collage and painting with subject matter that includes, animals and landscape. You will learn what media works best together in combinations that you wouldn’t have imagined, such as wax resist and collage!
And in the course of the landscape, we will explore a variety of light and color effects such as filtered light to imitate the qualities of the four seasons, such as spring, summer, fall, and winter! Soft pastel is perfect for those who love to paint, but don’t want to wait for it to dry! The elements of art, such as color, shape, form, and value will inform each lesson, and you’ll learn valuable skills such as how to mix colors to get the exact color you want! To learn more, visit https://delaplaine.org/instruction/classes-workshops/. Thanks for stopping by!
Artists: What kind of Artist Are You-Amateur, Hobbyist, or Professional?
Pictured is a work in progress, which I plan to use to advertise my upcoming mixed media narrative course at the Adams County Arts Council in Gettysburg, PA.
This is an example of a final project for my Classic Drawing course, which focuses on teaching beginners the fundamentals of drawing, such as line, shape, and form as well as shading techniques to simulate a variety of textures in still life. I will be offering this course in April at the Delaplaine Art Center April! Visit: https://delaplaine.org/class/?id=22-4-DR02 to learn more!
Here is a photo of a mixed media piece from my course, Drawing Calm: A mixed Media survey, which will be offered again at the Delaplaine Art Center in April of this year. Click on the link to learn more: https://delaplaine.org/class/?id=22-4-DR03
This is a sample of the demonstrations which I plan to teach in my Continuing Landscapes course at the Delaplaine Art Center in Frederick, MD this April! Click here to learn more: https://delaplaine.org/class/?id=22-4-DR04.
Why I decided to Write about Artist Types
It’s been a while since I last posted on this blog, and I have debated off and on within myself, whether to continue blogging about the series I started in May called and famous failures. However, at the end of the day, I decided that I would switch gears and write about a more arts-based topic. Instead, I decided to examine the topic of different artist types and the pros and cons of each type. It’s my belief that there is no superior type of artist, and that it is all about what type works best for you. However, I do think that it takes a very unique person to be able to combine the roles of both artist and entrepreneur.
In my opinion, such individuals must be extremely dedicated to making art their life’s work, no matter what it takes, or how much time they have to invest in learning their craft and other business skills to make a profit. On the contrary, not every artist has that sort of drive or wants their art to be consumed by the public as a commodity. Perhaps for some, art is an outlet for their feelings and experiences and they would rather keep that private, which is perfectly fine. Meanwhile, there are other artists who find themselves somewhere in the middle between hobbyists and amateur artists. These artists, sometimes called, “double jobbers,” want to take their art to a more professional level, but also work a day job, such as the British artist described in the article, “The Double Jobbers, Making a Living into eh Arts, by Kathy B. Sweeney, posted on The Guardian, https://www.theguardian.com/culture/2012/jul/29/living-working-in-the-arts. Consequently, they are not pressured to make a living from their art.
On the other hand, there are artists who cannot imagine doing anything else with their lives and spend almost all of their time marketing and making their artwork, such as Elizabeth St. Hillaire, Kelly Wynne, and many others. The three types of artists which I will discuss in this blog post are hobbyist, amateur, and professional artists, along with the pros and cons of each type.
Why is it important to know what type of artist you are?
I picked this topic because I have been wrestling with the question about what category I fall into as an artist: Amateur, Hobbyist, or Professional? In my opinion, it’s important to know which category of artist you fall into because there are specific actions that you need to take if you want to go beyond making artwork for pleasure and start making it with a business mindset. According to the author, Alyson Stanfield, who wrote the art business book, I’d Rather Be in the Studio, it is not enough just to make art, you need to learn about how to market and sell your art, as well as to sharpen your artistic skills and creating a specific body of work that showcases your unique style as n artist. (Sources: Artwork Archive, “Alyson Stanfield Shares Her 10 Best Marketing Tips,” https://www.artworkarchive.com/blog/alyson-stanfield-shares-her-10-best-art-marketing-tips, accessed on 06/14/18, and Alyson Stanfield, I’d Rather Be in the Studio!, preface, pg. 1, 2008, Pentas Press, Golden. Colorado, and Aletta de Wal, “Hobbyist, Amateur or Profefessional Artist: Which Are You?” http://emptyeasel.com/2011/02/01/hobbyist-amateur-or-professional-artist-which-are-you, accessed on June 6, 2018. )
My Journey as an Emerging Artist
After my father died in 2011, I realized that I wanted to make the most of the time I had left. I wanted to live without regrets about pursuing art to the highest extent possible. For as long as I can remember, it has been my dream to be an artist. In fact, my grandmother reported in her scrapbook that I began drawing at the age of 3. When I first started making art with the intention of selling it, back in 2011, my catalyst for making art was that I needed an avenue to express my grief.
Deciding what level of involvement in art that I want to have in my life has modified my choices and informed my decisions about my career, how I spend my time, and how I spend my money. I’ve gone from being a wide-eyed dreamer of a someday art career, as an art student, who lived amongst the bubble of the art community, to living life after college with all its startling reality. This world I now live in includes: bills, student loan debt, working as much as I can on my art while balancing a night job, experiencing frequent rejections for art shows, and feeling unrelenting and crushing self-doubt about my abilities as an artist. I feel I have been drifting without many purposes in my quest to be a professional artist, and it’s making me wonder whether this is the life I really want.
Making the Jump from Hobbyist Artist to Amateur Artist
In more recent years, I have really stepped up my activity to bring my art to a more professional level, such as: creating profit and loss sheets in Excel, designing an art catalog of inventory, launching an artist website, blogging about art, participating in more frequent art shows, hosting studio sale events at my home, producing custom art, and starting commerce shops on Etsy and Red Bubble, etc. However, all of this activity has been challenging and sometimes disappointing. It seems to me that no matter how hard I try, I am still struggling to sell my art consistently. I have also made efforts to connect with people on a personal level through writing blog posts, and producing artist newsletters.
However, I am still not making a profit, and instead, I find myself falling into debt to pay for framing, art supplies, and marketing expenses. Even more importantly, I feel I have lost the joy of making art in the midst of all this business-related activity. Consequently, I’ve had severe doubts about whether I want to be a professional artist, because of the amount of work, time, emotion, skill, and unflagging confidence a professional artist must have to survive. I wonder, are any other artists are struggling with this situation? And I’m also asking myself, do I really want to be a professional artist, or not? If not, then what type of artist do I want to be?
Since writing this post, I am now adding a new dimension to my identity as an artist, as a teaching artist, and I now teach art classes at Delaplaine Art Center, Frederick Community College, and the Adams County Arts Council. This new role, which I began in 2019, has informed my studio practice in a way that challenges me to keep learning new skills, and techniques so that I have fresh new content to offer my students and to inspire my own personal work, which is becoming more and more content-based, i.e. art that is meant to be a personal expression of my thoughts, memories, poems that inspire, etc. My favorite new place to continue my education as an artist and teacher is youtube, which is chock full of free art tutorials, such as The Virtual Instructor, Rapid Fire Art, and my favorite pastel artist, Karen Margulis, to name a few! To learn more about my current class offerings in pastel, mixed media, and drawing, please visit www.delaplaine.org. I am also working on a new art course about mixed media narratives at the Adams County Arts Council. I will update that information as soon as it becomes available.
What are some Specific Types of Artists?
To investigate and to define the different types of artists that anyone can be, I read an article entitled, “Hobbyist, Amateur, or Professional Artist-Which are you?” written by Aletta de Wall on the website, Empty Easel, at http://emptyeasel.com/2011/02/01hobbyist-amateur-or-professional-artist-which-are-you. The author, De Wall, states that there are three categories of artists and they are: Hobbyist, Amateur, and Professional and that each type is distinctly different. (Source: ibid)
The Hobby Artist
For example, hobby artists are not trying to make a living from their art, and they may only make art when the creative bug bites. (Source: ibid) In addition, hobby artists may study for many years and hone their craft by taking classes and workshops, but they may not ever receive the recognition that their work deserves because they are not taking actions that would promote their art effectively, such as having a business or marketing plan. (Source: ibid) On the other hand, an advantage of being a hobby artist is that there is no pressure on them to cater to a specific audience or make a profit, so they are free to experiment with a variety of media and subject matter and styles and techniques. They may also have more time to make art because there is no imperative to make a profit and engage in business-related activities such as marketing, bookkeeping, or sales.
The Amateur Artist
Another category of artist types is an amateur artist. This type of artist has started to play with the idea of making their art into a profession. (Source: ibid) Perhaps they have started to think that they need to start selling their art to help foot the bill for their art supplies and to start being able to deduct their art expenses from taxes. (Source: ibid) An important distinction between hobby artists and amateurs is that amateurs are willing to give up their personal time in order to learn how to sell their art and create new works. (Source: ibid) However, they may be uncertain about how to turn their passion into a viable business. (Source: ibid)
The Professional Artist
Finally, the last category of artists that this article discussed is professional artists. This type of artist is distinguished from the other two types of hobby artists and amateur artists because they consider art to be their profession. (Source: ibid, and Drew Kimble, “9 Warning Signs of an Amateur Artist,” https://skinnyartist.com/9-warning-signs-of-an-amateur-artist, accessed on June 7, 2018. )
These types of artists want to make a profit from their art, build a following, and continue to build their business skills at the same time. They have an intense level of dedication for their art and are willing to sacrifice time, money, sleep, and do whatever it takes to make a profit. (Source: ibid, and Drew Kimble) They might work another day job to help support their business or eventually quit their day job when they are able so that they can devote more time to making art and learning how to sell it.
Other activities that they engage in are: making studio time a daily habit, applying for grants, writing artist newsletters, submitting their artwork for review at galleries and art fairs, writing business plans, extending their knowledge of effective business practices by attending art business workshops, etc. (Source: ibid, and Hayley Roberts, “Twelve Things No One Ever Tells You About Being An Artist,” The Huffington Post, https://www.huffingtonpost.com/hayleyroberst/twleve-things-no-one-tell.html. accessed on June 7, 2018.) They also promote their artwork online and offline through social media, their artist website, and in real-life artist events, such as art gallery openings, art festivals, etc. (Source: ibid)Some may also make a living by teaching their craft to others. (Source: Aletta De Wal, “Hobbyist, Amateur, or Professional Artist-Which are you?”, and Hayley Roberts, “Twelve Things No One Ever Tells You About Being An Artist,” ) .
These artists may receive more recognition for their artwork, but they may also experience more criticism and rejection than the two other types because they are more aggressively pursuing art gallery representation, etc. In addition, they may have less time for making artwork because they have to balance making art with business-related duties. Furthermore, they may struggle to sell their art or make consistent income and they may face stiff competition from other artists because it is such a saturated field. It is a long road for these artists towards building a following and making a success from their art, but they are dedicated for the long haul. (Source: Drew Kimble, “9 Warning Signs of an Amateur Artist,” https://skinnyartist.com/9-warning-signs-of-an-amateur-artist, accessed on June 7, 2018. )
What about You? What Type of Artist are you?
So what about you, reader? What type of artist are you? I would love to hear about your dreams and hopes with regard to making art. Thanks for taking the time to stop by and read this. Next week, I will be talking about this topic of artist types in more detail, with a slight twist. The twist will be a more in-depth look at what it really means to be a professional artist and why it has been traditionally so difficult to be successful in this field.