Are you in a creative slump or want to try out other forms of art media? Then, my course, Drawing, and Painting: A Mixed Media survey is the perfect fit for you! To learn more about this wonderful course, visit https://www.frederick.edu/. Go to the schedules link and select, ILR Fall Schedule 2022 to view a detailed description about this course.
In this course, I will provide you with detailed art demonstrations, with different art media provided each week. We will draw and paint our way through different art styles such as Impressionism, and even abstraction. The wide variety of art media and styles will stimulate your creativity, and provide a space for you to create in a judgment-free learning environment. Beginners and seasoned artists are welcome, no experience is necessary, although some experience with drawing or painting can be helpful. This is an in-person, noncredit course at Frederick Community College.
My beginner drawing course is now officially full! I am so excited, but there are still some open spots in my mixed media survey course, Drawing into Calm, and Continuing Landscapes, The Four Seasons. To learn more, visit http://www.delaplaine.org. Here are some photos of the artwork I plan to demonstrate for these courses, to give you a sneak preview!
This spring I am teaching a new course called, Drawing Calm: A Survey of Mixed Media. Have you ever wondered if you can combine more than one art medium? You can, and this course might just be what you are looking for! Click here to learn more: https://delaplaine.org/class/?id=22-4-DR03.
About a century ago (well I exaggerate a little); I was a college student studying art at McDaniel College in Westminster, MD. I had a brilliant and successful art teacher named Steve, who demonstrated how the practice of art-making and the hatching of new ideas could be brought to life. He taught me many useful things, such as how to keep an art sketchbook pasted with photos of artwork by artists I admired, and how to write about my art in a way that expressed my unique artistic voice. Above all, his most important advice was that I should draw every day. At the time, that task seemed quite difficult. I was always an impatient artist as a student and I often rushed through the drawing stage to hurry up and get to the painting, the “good part.” Now that many years have passed since my graduation from McDaniel, I can truly see the wisdom of his advice.
With hindsight, I realize that he was so right about drawing every day. I no longer rush artwork and I have learned to love drawing, whether it becomes a painting or not. In fact, I have embraced his advice of a daily drawing habit and I have worked on several art challenges for both human portraiture and pet portraits on my Instagram account. One of these challenges is called 100 faces in 100 days, in which I drew a pre-selected photo of a celebrity using only pencil and paper. I did not add in a lot of detail or shading and I limited myself to 45 minutes a day. My latest art challenges were in October, in which I participated in Inktober, and also in December when I challenged myself to draw figures and portraits every day for about 3 weeks, with a pencil or whatever other media I felt drawn to use for the challenge.
The most important takeaway I can say about drawing and getting good at it is that it really helps your art practice to flourish. For instance, once you have the drawing and composition mastered, you can enjoy the next step more fully, whether it’s collage, painting, or some other art form such as graphic design or sculpture. With an accurate drawing, you won’t have to worry about continuing to fix it and can fully embrace your next steps.
In conclusion, I am currently preparing myself to teach a beginner’s drawing course at the Adams County Arts Council in Gettysburg, PA this winter, and the drawing practice has been great practice. To learn more about the course, Classic Drawing, please visit http://www.adamsart.org. I am realizing just how fundamental those drawing techniques of using basic shapes and practicing observing what I see, whether it’s a photo or a real-life object, are so important for accurate drawing. Here are some examples of the drawing exercises and projects I have been working on to prepare for this class. Enjoy! Thanks for reading!
I will be hosting a pastel workshop at the Dublin Roasters coffee shop in Frederick, MD on September 22, 2018, from 1-3 pm. Here is a link to the website, in case you need directions: http://www.dublinroasterscoffee.com.
The cost per person is $25 and it includes a live demonstration about how to create a dramatic still life in pastels. Using a step by step approach, I will teach you how to create a masterpiece in pastels. All supplies for the class are provided by me, including pastels and paper. The subject will be a carafe and onions with chiaroscuro lighting similar to the old master, Rembrandt. Seating is limited so email me asap if you are interested. I will be reserving a small room in the back of the coffee shop, Room 1. To register, email me at email@example.com. You can pay for the class the day of the event, by cash or check. Beginners are welcome! Come on down!
Artists: What kind of Artist Are You-Amateur, Hobbyist or Professional?
Why I decided to Write about Artist Types
It’s been awhile since I last posted on this blog, and I have debated off and on within myself, whether to continue blogging about the series I started in May called, and famous failures. However, at the end of the day, I decided that I would switch gears and write about a more arts-based topic. Instead, I decided to examine the topic of different artist types and the pros and cons of each type. It’s my belief that there is no superior type of artist, and that it is all about what type works best for you. However, I do think that it takes a very unique person to be able to combine the roles of both artist and entrepreneur.
In my opinion, such individuals must be extremely dedicated to making art their life’s work, no matter what it takes, or how much time they have to invest in learning their craft and other business skills to make a profit. On the contrary, not every artist has that sort of drive or wants their art to be consumed by the public as a commodity. Perhaps for some, art is an outlet for their feelings and experiences and they would rather keep that private, which is perfectly fine. Meanwhile, there are other artists who find themselves somewhere in the middle between hobbyist and amateur artist. These artists, sometimes called, “double jobbers,” want to take their art to a more professional level, but also work a day job, such as the British artist described in the article, “The Double Jobbers, Making a Living into eh Arts, by Kathy B. Sweeney, posted on The Guardian,https://www.theguardian.com/culture/2012/jul/29/living-working-in-the-arts. Consequently, they are not pressured to make a living from their art. On the other hand, there are artists who cannot imagine doing anything else with their lives and spend almost all of their time marketing and making their artwork. The three types of artists which I will discuss in this blog post are a hobbyist, amateur, and professional artists, along with the pros and cons of each type.
Why is it important to know what type of artist you are?
I picked this topic because I have been wrestling with the question about what category I fall into as an artist: Amateur, Hobbyist or Professional? In my opinion, it’s important to know which category of artist that you fall into because there are specific actions that you need to take if you want to go beyond making artwork for pleasure and start making it with a business mindset. According to author, Alyson Stanfield, who wrote the art business book, I’d Rather Be in the Studio, it is not enough just to make art, you need to learn about how to market and sell your art, as well as to sharpening your artistic skills and creating a specific body of work that showcases your unique style as n artist. (Sources: Artwork Archive, “Alyson Stanfield Shares Her 10 Best Marketing Tips,” https://www.artworkarchive.com/blog/alyson-stanfield-shares-her-10-best-art-marketing-tips, accessed on 06/14/18, and Alyson Stanfield, I’d Rather Be in the Studio!, preface, pg. 1, 2008, Pentas Press, Golden. Colorado, and Aletta de Wal, “Hobbyist, Amateur or Professional Artist: Which Are You?” http://emptyeasel.com/2011/02/01/hobbyist-amateur-or-professional-artist-which-are-you accessed on June 6, 2018. )
My Journey as an Emerging Artist
After my father died in 2011, I realized that I wanted to make the most of the time I had left. I wanted to live without regrets about not pursuing art to the highest extent possible. For as long as I can remember, it has been my dream to be an artist. In fact, my grandmother reported in her scrapbook that I began drawing at the age of 3. When I first started making art with the intention of selling it, back in 2011, my catalyst for making art was that I needed an avenue to express my grief.
Deciding what level of involvement in art I want to have in my life has modified my choices and informed my decisions about my career, how I spend my time, and how I spend my money. I’ve gone from being a wide-eyed dreamer of a someday art career, as an art student, who lived amongst the bubble of the art community, to living life after college with all its startling reality. This world I now live in includes: bills, student loan debt, working as much as I can on my art while balancing a night job, experiencing frequent rejections for art shows, and feeling unrelenting and crushing self-doubt about my abilities as an artist. I feel I have been drifting without many purposes in my quest to be a professional artist, and it’s making me wonder whether this is the life I really want.
Making the Jump from Hobbyist Artist to Amateur Artist
In more recent years, I have really stepped up my activity to bring my art to a more professional level, such as: creating profit and loss sheets in Excel, designing an art catalog of inventory, launching an artist website, blogging about art, participating in more frequent art shows, hosting studio sale events at my home, producing custom art, and starting commerce shops on Etsy and Red Bubble, etc. However, all of this activity has been challenging and sometimes disappointing. It seems to me that no matter how hard I try, I am still struggling to sell my art consistently. I have also made efforts to connect with people on a personal level through writing blog posts, and producing artist newsletters.
However, I am still not making a profit and instead, I find myself falling into debt to pay for framing, art supplies, and marketing expenses. Even more importantly, I feel I have lost the joy of making art in the midst of all this business related activity. Consequently, I’ve had severe doubts about whether I want to be a professional artist, because of the amount of work, time, emotion, skill, and unflagging confidence a professional artist must have to survive. I wonder, are I any other artists are struggling with this situation? And I’m also asking myself, do I really want to be a professional artist, or not? If not, then what type of artist do I want to be?
What are some Specific Types of Artists?
To investigate and to define the different types of artist that anyone can be, I read an article entitled, “Hobbyist, Amateur, or Professional Artist-Which are you?” written by Aletta de Wall on the website, Empty Easel, at http://emptyeasel.com/2011/02/01hobbyist-amateur-or-professional-artist-which-are-you. The author, De Wall, states that there are three categories of artists and they are: Hobbyist, Amateur, and Professional and that each type is distinctly different. (Source: ibid)
The Hobby Artist
For example, hobby artists are not trying to make a living from their art, and they may only make art when the creative bug bites. (Source: ibid) In addition, hobby artists may study for many years and hone their craft by taking classes and workshops, but they may not ever receive the recognition that their work deserves because they are not taking actions which would promote their art effectively, such as having a business or marketing plan. (Source: ibid) On the other hand, an advantage of being a hobby artist is that there is no pressure on them to cater to a specific audience or make a profit, so they are free to experiment with a variety of media and subject matter and styles and techniques. They may also have more time to make art because there is no imperative to make a profit and engage in business-related activities such as marketing, bookkeeping, or sales.
The Amateur Artist
Another category of artist types is the amateur artist. This type of artist has started to play with the idea of making their art into a profession. (Source: ibid) Perhaps they have started to think that they need to start selling their art to help foot the bill for their art supplies, and to start being able to deduct their art expenses from taxes. (Source: ibid) An important distinction between hobby artists and amateurs is that amateurs are willing to give up their personal time in order to learn how to sell their art and creating new works. (Source: ibid) However, they may be uncertain about how to turn their passion into a viable business. (Source: ibid)
The Professional Artist
Finally, the last category of artists that this article discussed is professional artists. This type of artist is distinguished from the other two types of hobby artist and amateur artist because they consider art to be their profession. (Source: ibid, and Drew Kimble, “9 Warning Signs of an Amateur Artist,” https://skinnyartist.com/9-warning-signs-of-an-amateur-artist, accessed on June 7, 2018. )
These types of artists want to make a profit from their art, build a following, and continue to build their business skills at the same time. They have an intense level of dedication to their art and are willing to sacrifice time, money, sleep and do whatever it takes to make a profit. (Source: ibid, and Drew Kimble) They might work another day job to help support their business or eventually quit their day job when they are able so that they can devote more time to making art and learning how to sell it. Other activities that they engage in are: making studio time a daily habit, applying for grants, writing artist newsletters, submitting their artwork for review at galleries and art fairs, write business plans, extend their knowledge of effective business practices by attending art business workshops, etc. (Source: ibid, and Hayley Roberts, “Twelve Things No One Ever Tells You About Being An Artist,” The Huffington Post, https://www.huffingtonpost.com/hayleyroberst/twleve-things-no-one-tell.html. accessed on June 7, 2018.) They also promote their artwork online and offline through social media, their artist website, and in real life artist events, such as art gallery openings, art festivals, etc. (Source: ibid)Some may also make a living by teaching their craft to others. (Source: Aletta De Wal, “Hobbyist, Amateur, or Professional Artist-Which are you?”, and Hayley Roberts, “Twelve Things No One Ever Tells You About Being An Artist,” ) .
These artists may receive more recognition for their artwork, but they may also experience more criticism and rejection than the two other types because they are more aggressively pursuing art gallery representation, etc. In addition, they may have less time for making artwork because they have to balance making art with business-related duties. Furthermore, they may struggle to sell their art or make consistent income and they may face stiff competition from other artists because it is such a saturated field. It is a long road for these artists towards building a following and making a success from their art, but they are dedicated for the long haul. (Source: Drew Kimble, “9 Warning Signs of an Amateur Artist,” https://skinnyartist.com/9-warning-signs-of-an-amateur-artist, accessed on June 7, 2018. )
What about You? What Type of Artist are you?
So what about you, reader? What type of artist are you? I would love to hear about your dreams and hopes with regards to making art. Thanks for taking the time to stop by and read this. Next week, I will be talking about this topic of artist types in more detail, with a slight twist. The twist will be a more in-depth look at what it really means to be a professional artist and why it has been traditionally so difficult to be successful in this field.
The photos below are a collection of art demonstration paintings that I created to help re-teach myself how to draw in pastels and to prepare for the pastel workshop I taught on June 16, 2018, at the Colorful Canvas art supply store. Also included are photos of my art students at work and the pastel drawings they created at the class. Please note, the pastel drawings pictured here are based on the art demonstrations found in the book, The Art of Pastel, published by Walter Foster, in 2010. These pastel drawings are not my original works and are not intended for sale. The works were made simply to practice pastel drawing techniques and help my students to have a demonstration format to follow. In addition, the pastel drawings were originally created by the artists, William Scheider and Marla Baggetta, and no copyright violation is intended.
Today I taught a pastel workshop at the Colorful Canvas art supply store in Frederick, MD. It was quite a change stepping into the teacher’s shoes after years of being a student. I was amazed at how quickly my students picked up all the various concepts I tossed out at them including line, shape, color, and value. I started with a drawing and broke down the fruit still life into basic shapes. After I had done that, I broke down the colors and values to their most basic levels and continued to refine them. In addition, I took breaks in between each step, so the students could follow along and not get lost in the process. I hope to be able to teach another pastel class soon! Below are some photos of the art class students I taught today and the artwork they created. Thanks for stopping by!