Artists: Rekindle Your Creativity

 

Confession: I Haven’t Been Painting Much

I have a confession to make; I haven’t been painting very much lately, even though I call myself an artist. In fact, it’s been almost a month since I painted a picture, or even wanted to work on a painting. Yesterday was my first day back at the easel, working on a complicated water lily painting.  Although this subject seems simple, it has been quite challenging to execute. I have been trying to push myself beyond my usual comfort zone of placing everything in the middle of my artwork and to create alternative compositions. I have spent a lot of time, effort and thought to explore different compositions and value schemes to resolve the painting.

Sometimes Life Gets in the Way of Creativity

But it’s been an off and on the journey, with very little motivation to create again. This lack of motivation to be creative is, unfortunately, nothing new in my journey as an artist. Instead, it has been a frequent and unwelcome companion. For some reason, I no longer have that naive joy I used to have in creating art, where I was free from the brutal inner critic. Instead, now it seems that my artwork must have a purpose, in order to be worthwhile. Somewhere, perhaps buried deep inside me, is a desire to create, but that has to compete with a myriad of other priorities that fight for my attention, such as cooking, organizing, cleaning, to-do lists, etc. It’s a constant tug of war, deciding what my priorities should be. Other things that make me doubt the point of being creative and feeling like it’s a luxury to make art have been the drying up of art sales and commissioned work. In addition, I have had to cancel several art events due to weather conditions, or a lack of interest from others. All in all, it makes me wonder, what is the point? Does anyone really care if I make art or not? Does it impact their lives?  Is it meaningful for me to make art, whether it sells or not?  Is this a hobby, a business, or something in between? What is my purpose in creating art?

Ways I have been Making Time for Art

Despite my doubts about the validity of making artwork, I have been pushing myself to create art nonetheless, kind of like adhering to a fitness schedule. One of my methods to keep my drawing skills sharp has been to draw a dog portrait from a reference book called, For the Love of Dogs, by the photographer, Rachael Hale, five days a week and to post the results on Instagram. I try to keep the sketches simple, and I  spend about 30-45 minutes on each drawing.  However, I am not sure how to get back my love for creativity. Instead of taking time to ponder this question, I tend to spend my time reading or watching the British television mystery series on YouTube, called Lewis.  But now I am starting to wonder, what steps can I take to start enjoying making art again? So, on that note, I would like to share some tips from an article I read on a website called, Skinny Artist, managed by Drew Kimble.

The author, of the article, “5 Ways to Rediscover Your Art and Reclaim Your Passion”, states that there are five techniques which can be used by artists to rediscover their creative spark. The techniques he lists include: 1. finding ways to nourish your creativity, 2. reducing distractions in your environment, 3.) locating a community of creatives, either online or in real life, 4. engaging in small creative practices on a daily basis, and 5., keeping your creative practice varied by changing up your techniques, media, etc. (Source: Drew Kimble, “5 Ways to Rediscover Your Art and Reclaim Your Passion,” www.skinnyartist.com.) In the interest of brevity, I am only going to share a few of Drew Kimble’s tips.

Nourish Your Creativity

Drew Kimble states that to keep your creative well flowing, you need to re-group by viewing as much art as you can. (Source: ibid)  By observing works in art galleries, books, art magazines, websites, etc., it will help you to define the direction in which you would like your artwork to go, and inspire you with imagery to re-construct, abstract or re-interpret your artwork through the lens of other artwork. (Source: ibid) A quote from Isaac Newton helps to illustrate this concept: “If I have seen further, it is by standing on the shoulders of giants.”

Limit Your Distractions

In our twenty-first century modern society, we are frequently inundated with distractions, whether it comes in the form of cell phones, the internet, movies, hello, YouTube, etc. (Source: ibid) A cell phone alone contains a myriad of distractions including: “movies, instant messenger, arcades, phone games”, such as Pokémon Go, etc, etc. (Source: ibid.) This does not include other distractions, which may seem well-intentioned or important: such as cleaning, cooking or organizing our homes. And for most of us, we need to make a living outside of our art, unless we are retired, have a trust fund, or a well-off partner who helps to support our artistic careers, so there is also time we need to dedicate to our jobs. (Source: Ibid.) On the other hand, to be creative, we must carve out empty places in our schedules, or what I like to call, white space. (Source: Ibid.) Without stillness and solitude, it is difficult to create an environment conducive to creativity where memories, experiences, literature, song lyrics, cultural influences, history, imagery, etc, can merge to create the seeds of inspiration. (Source: Ibid.)  In fact, Agatha Christie has been known for saying that some of her best ideas came to her for novels when she was washing dishes. She states, “The best time to plan a book is while you’re doing the dishes.” (Source: https://www.brainyquote.com/authors/agatha_christie)

In addition, the author, Drew Kimble, suggests that keeping a “time journal” for many days can help him to identify what activities he spends his time doing. (Source: Ibid.) Another tip he shares is to schedule time for making art and to be gentle with yourself, even if you don’t meet your expectations and cross everything off your to-do list. (Source:  Ibid.) Likewise, I have been trying to reduce the number of items I place on my to-do list, as far as creative projects are concerned. I’ve been realizing that most days, I can only do one project at a time, especially on days when I work at my part-time job. I’m trying to make Thursdays a day to spend more time on creative projects. One of the projects I hope to get started on, is my poetry illustration narrative series, an art project I have yet to complete because of its complexity. I also want to focus my energies on my daily drawing challenge, which features dog portraits. I’m learning that if I take on too many art projects, I have a tendency to leave these projects unfinished and then I feel guilty for being so unproductive. One other way I could make time for art would be to cut down on the time I allocate for entertainment, especially movies, which can take up a lot of my free time if I am not careful.

Conclusion: What’s the Point of Making Art?

In closing, I would like to return to some questions about the meaning of art, both to myself and to the society in which I live. Pondering the role of art in my society and in my life specifically, I read and researched some articles online to see what others had to say about the importance of art in our society, to address one of the main questions I posted about making art, which is, What’s the point? So here are a few thoughts from an article I read: “Why We All Need  Art in Our Lives,” by Lesli Walsh, April 11, 2013, retrieved from http://www.michipreneur.com/why-we-all-need-art-in-our-lives/. The first point, the author, Walsh makes is that 1.) art is an integral part of who we are as humans, and that it can help us to create balance in our lives or to find other routes for self-expression when words fail us. (Source: Ibid)  Point number two is that art helps us to understand how historical events impact people emotionally, and how it has shaped our own lives. (Source: Ibid) Thirdly, making or viewing art can help us to become more self-aware about our inner thoughts, desires, fears, etc, and gives us a chance to slow down and decrease the stress we experience from living in a multi-tasking, fast-paced society. (Source: Ibid) Through self-awareness, we can grieve losses and heal from traumas. Another value we can get from making art is that it can help us to develop critical thinking skills, by teaching us how to represent abstract thoughts and concepts in concrete ways through visual symbols. (Source: Ibid) Finally,  by talking about the art we make, we can learn how to be better communicators with others. (Source: Ibid) One last thought about the value of art is that it can transcend cultural differences and give people a common language, where words are not necessary. (Source: Ibid) Thanks for stopping by and readingwater lily three value sketch_edited-1, flatWater Liliy redux, finalwater lily watercolor, color study_edited, flatLily pad with frog_edited-1, flat!

Artists: How to Re-Surface Old Paintings, both oil and acrylic

A Response to Last Month’s Post: How to Re-Prime Used Canvases

 

This blog post is inspired by a blog post from last month, entitled: Artists: What Should You Do with Unfinished Artwork? dated August 12, 2018. In this post, I wrote about the artwork that had been abandoned for various reasons. I also added a list of various highlights from an article entitled, “50 Ways to Use Your Unfinished Art.” Several suggestions for completing your artwork were listed in the aforementioned article including taking pictures of your artwork to manipulate it, cutting up the artwork and re-assembling it, throwing the painting away, etc. However, one technique that I didn’t mention for completing art work is to start over from scratch. For example, this could mean re-surfacing an old canvas by using sandpaper or even a power sander, depending on how thick the paint has been applied to the canvas. The processes for re-finishing canvases are different, depending on whether acrylic or oil paint was used, which is a fact that I learned after reading two articles on The Painters Keys website- Re-priming Old Canvases, and How to Resurface an Old Painting by Ericka Lancaster. I really wish I had known this sooner, as I am not sure how my old paintings, which have been re-surfaced with sandpaper and acrylic gesso, will hold out over time.

Consequently, I plan to do more research in the future, before I am embarking on a similar project with older canvases. I want to be certain that I can create quality paintings which will pass the test of time. Ok, so now to what I learned from reading these articles. For example, in the Painter’s Key’s website, the author responded to a query from a reader about how to restore an old canvas, so that it could be re-painted. (Source: http://thepainterskeys.com/reprime, Robert Genn, date of access 08/24/18). In response, the author stated that to re-surface an old oil painting can create some concrete and creative challenges because if the re-surfacing process is not done correctly, it can cause the paint to flake off from the surface.  (Source: ibid) Therefore, because of this possibility, many artists choose instead to use new materials, i.e. new canvases or substrates.  (Source: ibid)

Here are some tips for re-purposing oil paintings from the article, Re-priming Used Canvases:

  • Sand the surface of your oil painting until it is completely dull in appearance. (Source: Ibid)
  • I used a power sander with 150-grade coarse sandpaper, because it is easier to use than individual strips of sandpaper, and it gets the job done much faster.
  • After you sand the painting, use a microfiber cloth to get rid of any excess paint chips. For heavily encrusted paint, you can give the canvas or paper another pass with the power sander.
  • When the canvas is completely clean and you can see the tooth of it, use an “oil or alkyd-based gesso or oil primer.” (Source: ibid) You can use a scumbled technique and a rag, to cover the offending areas you don’t like about your painting, and leave other areas, untouched that you like. Using this technique is a compromise between using the old surface and the paint which remains, and painting a new layer of paint. (Source: ibid)

 

  • As an alternative, you can use a mixture of titanium white oil paint and linseed oil. You may add additional colors to the mixture if you would like to add an underpainting; such as burnt sienna or yellow ochre. (Source: ibid) This step will provide you with a middle value, with which to compare your other values and help to create color harmony in your painting.

 

On the other hand, re-priming or painting over acrylic paintings is a  completely different scenario and process. For instance, “acrylic molecules remain sticky forever,” and you need to ensure that there is “no final varnish remaining.” Instead, acrylic paintings should be “cleaned outdoors with household ammonia and well flushed with water before applying a water-based gesso, thick or thin.” And unlike oil based surfaces, paintings with an acrylic paint can be re-surfaced with gesso as a priming agent. (Source: ibid)

Here are some steps you can follow to re-surface an old acrylic painting, according to the artist, Erica Lancaster:

  • Clean the old acrylic painting with a soft microfiber cloth until it is free of dust or grime.
  • Use sandpaper to remove the old acrylic paint with a light touch, while you concentrate on “heavily textured” sections of the canvas. If you can’t get rid of all the texture from the acrylic paint, don’t worry about it.
  • Go over your sanded acrylic painting with a clean cloth to remove any additional paint particles.
  • Paint your canvas with Gesso and use even coats. Remember to let each coat dry at a time before applying a new layer of gesso. This can take up to 24 hours to “cure.” If you want to thin out your gesso, you can add water to the mixture. Test your canvas and check to see that it is completely dry, before applying any acrylic paint. As a general rule, you want to have at least two dry coats of gesso on your painting before you begin adding acrylic paint.
  • Go over your canvas with sandpaper again. As to how many times you choose to sand the canvas that is completely up to you. Deciding on what amount of texture to give your paintings is a personal creative choice, and it depends on what type of “look” you want your painting to have, such as photorealism or abstraction. If you want a realistic look, you would want less texture and thin smooth layers of paint.
  • The final step before you begin painting is to wipe your canvas again with a clean microfiber cloth. Now your canvas is ready to begin painting upon. (Source: http://www.erikalancaster.com/art-blog/how-to-resurface-old-canvas-paintings-to-crete-new-artwork.com, “How to Resurface Old Canvas Paintings to Create New Artwork,” Erika Lancaster, date of access, 8/24/18.

So there you have it. Two different approaches to re-surfacing old paintings, depending on whether you have an acrylic or oil painting on your canvas.  This week’s artwork

water lily three value sketch_edited-1, flat
Three Value Sketch, water lily, graphite on paper, 5 x 7 inches, Jodie Schmidt, 2018.
Water Liliy redux, final
Adobe Photoshop Photo Collage, digital image, Adobe Photoshop Elements, 5 x 7 inches, Jodie Schmidt, 2018.
water lily watercolor, color study_edited, flat
Color Study for Water Lily, Mixed media, 6 x 7 inches, Jodie Schmidt, 2018.

features the creative process of my latest painting in progress, a water lily.  My next step is to combine all these sources I created to make a completed oil painting, which I hope to finish in the near future! Happy painting and thanks for stopping by!

Surviving and Thriving in a Creative Desert

Things I have tried to do to get creative again

As I mentioned in last week’s post, I have been struggling with artist’s block this summer. During this journey, I’ve tried various things to break out of it, such as: copying art demonstrations from art technique books, re-touching/re-working old paintings, and working in a prompt driven sketchbook. Unfortunately, the later project hasn’t been working out so great lately. I’ve been procrastinating on doing the daily prompts, and have felt uncertain as to which mediums to work in for the sketchbook pages, should it be watercolor, colored pencil, acrylic, gouache or something else that I use? I have been unhappy with the colored pencils because they take so long to build up color and tone and I want to get some momentum and finish the nature section so I can keep moving along. It’s also difficult to correct mistakes with this medium, and I am finding that a lot of my prompts are not living up to my expectations. All of which keeps me stuck in neutral, and not making new work consistently.

Some insights I have gained about my artist’s block

Maybe it’s also the heat of the summer, which seems extraordinarily hot, even for Maryland. Or perhaps it’s the dislocation I feel in adjusting to a new house, guilt (genuine or otherwise, about abandoning household chores to make time for art), or something else entirely. Whatever the cause, I want to come up with some solutions so I can move forward and make more art, and hopefully at least some of the pieces will turn out the way I envision or will be at least good enough to post on social media. This year there’s been a mix of both good paintings and some not so good paintings. The paintings I’m not happy with might get thrown out, or sanded and re-worked, depending on the state of the canvases. I feel dry and uninspired, and I feel I have reached the limit of my skill set in art. In fact, I feel I need more fuel for my creativity and knowledge base.

Tips for breaking through a creative block

While I am pondering these thoughts, I’d like to share some tips I picked up from an article, “How to Survive a Creative Slump,” by Our Daily Craft, on http://www.ourdailycraft.com/2017/02/21/survive-creative-slump, by Sarah White, February 21, 2017. A few suggestions that the author offers include: 1.) starting with a small creative project, 2.) working quickly, 3.) reading a book you enjoy, and 4.) organizing or cleaning something in your home.  For instance, the author suggested a few small projects to help jumpstart your creativity such as 1.) “sewing a cloth napkin,” 2.) “knitting a headband,” 3.) Paint on a 4 x 4-inch surface, or “writing a haiku.” (Source: ibid)  Since I am not particularly good at crafts or anything DIY, which I learned after re-finishing some furniture and all of my kitchen cabinets in my new home, I have settled on painting a 4 x 4-inch canvas of Canada Geese. I re-worked this miniature canvas in oil paints about a week ago, and I am fairly happy with the result. Another suggestion that the author makes is to re-visit old projects that you had left unfinished. (Source: ibid)  I certainly have a pile of unfinished works-such as unfinished drawings, pastels, and pages in my sketchbook where things just didn’t come together. Perhaps it would be a good problem-solving exercise to utilize my creativity.

In addition, the author also discussed making something quickly-which I’m not sure I would do

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This quote was obtained from the internet via a Google search, and no copyright infringement is intended.
Canada Goose trio,flat
Canada Geese Trio, oil on canvas, 4 x 4 inches, 2018, Jodie Schmidt.
Koi fish painting, flat
Koi Fish Group, acrylic on canvas, 5 x 7 inches, 2018, Jodie Schmidt. This is the first stage of this painting.
Koi group, flat
Koi Fish Group, acrylic on canvas, 5 x 7 inches, 2018, Jodie Schmidt. And this is the completed acrylic painting! 
Koi fish portrait, flat
Koi Fish portrait, acrylic, 4 x 6 inches, 2018, Jodie Schmidt. Pictured is stage 1 of this acrylic painting.
works in progress, flat
Here are some small value paintings of water lilies and a blank canvas. I’m not sure what the subject might be for this one yet.
small value paintings, flat
Close up of the water lily paintings in progress.
nature sketches 1, flat
Pictured is stage 1 of my dandelion sketches in colored pencil and pastel. I wasn’t happy with how these turned out, so I re-worked them in two subsequent stages, pictured here. These drawings are from my Julia Orkin-Lewis Sketchbook, Draw Every Day, Draw Every Way. 
Nature sketches, 2, flat
My first step to re-work these paintings was to cover up the areas I didn’t like with gesso and let it dry so I could re-paint with acrylic. I learned that colored pencil is really hard to get rid of if you make a mistake.
dandelions sketchbook flat
And my final two steps were to add another layer of gesso after the first layer had dried. Afterward, I re-painted the offending areas with Liquitex acrylic paint. However, I’m still not sure if I am happy with these sketches, but I don’t want to get stuck on them either. They are, after all, supposed to serve as ideas for completed future paintings.

since most of the problems I have had with my art have been poor planning. Another problem which leads to unsatisfactory art for me is not spending enough time checking the accuracy of the drawing, as unfortunately happened with my latest portrait of Lincoln, which I decided to re-work and re-draw with oil paints. Needless to say, it didn’t turn out that well. Maybe if I were an abstract painter I could get away with a more intuitive approach to painting, than a more structured one with specific steps, but I am not. Since I am a more traditional painter, I am sticking with what works for me, which is starting with a drawing, adding three values in pencil to the sketch, and then making a colored sketch to base the final painting upon. Unfortunately, the more I tried to fix the drawing, the worse it got. In the end, I finally decided to abandon it, and start with a new sketch on a totally different substrate on a larger scale. It hasn’t become a painting yet, but I think I identified some drawing errors in the painting, by making a new sketch.

However, one thing I do want to try is to read a novel, article, or poem, to try and get some new ideas flowing. Some of my best works have been inspired by the poetry of Dickinson and Frost. Maybe reading literature will also help me to become a better writer and get me out o this writer’s block I seem to be assailed with lately. How about you? Do you have any suggestions for breaking out of a creative rut? I’d love to hear! Just post in the comments section of this blog. Thanks for stopping by!

 

 

Artists and Self-Doubt: Part 2, How to Deal with Other’s opinions about your art

Last week I talked about self-doubt in the context of one’s own self-doubt and self-defeating self-talk such as, “I am not good enough.”, and this week I am switching gears and writing about how to deal with constructive feedback or, not so constructive feedback, as the case may be. This type of criticism may come from a variety of sources such as teachers, family, friends, “fellow artists,” strangers, etc. Bustamante, 2016). Sometimes it is helpful and other times it is not. At times, these people may be sincerely “trying to help you” while at other times, their motives may be less than beneficent. (Source: Gill Bustamante, “Overcoming Self-Doubt for Artists…Even When Your Art Goes Terribly Wrong,” www.emptyeasel.com09/05/2016.

For instance, according to Bustamante, 2016, “Artists often find themselves targets of people who put them down with carefully worded barbed comments or “advice” that leads nowhere, or other thinly veiled criticisms that will discourage the artist on their efforts.” (ibid) In addition, according to Bustamante, it is very important to carefully weigh what others tell you about your artwork, to decide if their opinion is valid or not, taking their advice with a hefty grain of salt. (ibid) The litmus test seems to be, how you experience these people after spending time with them. (ibid) For instance, Bustamante, 2016, asks, do you feel better about yourself after you spend time with them or worse? (ibid) If you don’t enjoy spending time with them, then stay away from them. (ibid) However, if you can’t completely escape these people because they are co-workers or your spouse, “put up a shield “ to guard yourself against what they say. (ibid)

I’ve had my own share of experiences with really bad critiques from teachers, and insensitive comments from others over the years as an art student, and a professional artist. These sorts of comments make me want to give up and are usually too vague to be of any assistance in making improvements in my art. And I have also had the reverse experience; in fact, some of my best constructive feedback has come from art students, during class critiques where there are some ground rules about constructive feedback. These types of comments tend to be more positive, like a word sandwich, such as, I think what works in this painting is, (blank) however, if you changed the color, value, etc, here, it could be even better. The paradox is, if I can’t take any feedback about my artwork, I won’t grow as an artist because I am too close to my work and have tunnel vision, or too emotionally invested in it to see the flaws. On the other hand, if I am too strongly influenced by others I might give up too soon on drawing and painting, or start to pursue art styles that are not really part of my authentic voice, in an attempt to please others or make sales.

Meanwhile, I am trying to keep on keeping on with my weekly studio practice, working in my sketchbook at least on a weekly basis. My hope is that by keeping in practice with drawing it will remind me why I fell in love with making art in the first place. My themes from my sketchbook that I am showing you this week are animals and plants, kind of aproposfirst spring crocus, flatGerbera daisies, flatpeacock portrait, flatSnail and Ladybug, flatTiger portrait, flat since spring is supposed to be around the corner…They were drawn with pencil and Prismacolor Colored Pencils. Thank you for reading! I hope this speaks to someone out there who is struggling not to give up on their art.

Artists and Self-Doubt: A Perennial problem and what to do about it

What is Self-Doubt?

 In my last post, I talked about some marketing techniques for artists, such as: why artists need to create a portfolio, but this week, the topic that resonates most with me is self-doubt. I know it sounds kind of depressing; however, I am trying to be more authentic in what I write about on this blog and not just what seems popular or trendy. And I promise I will end this blog post on a positive note. I believe that having self-doubt as an artist can really create obstacles to making more artwork, or having the confidence to step out and show the world your art.  Sometimes it can cause an artist to stop making art altogether, whether it’s for a few days, weeks or sometimes even years. I know this from personal experience from several bouts of artist’s block and countless doubts about my abilities as an artist. Somehow, though if you want to get your artwork into public spaces and out of your studio, you have to find a way through this issue, because without artwork artists cannot promote themselves, period. In her own words, Alyson Stanfield states: “If you are not consistently producing art, then you have nothing to take out of the studio and market. Remember you are an artist first and foremost. Your career starts in the studio.”(Source: “Alyson Stanfield Shares Her Ten Best Art Marketing Tips,”Artwork Archive, https://www.artworkarchive.com/blog/alyson-stanfield-shares-her-10-best-art-marketing-tips, retrieved, 03/15/18).

What is an example of Self-Doubt?

 Here are a few examples of self-doubt, which I am citing from an article, entitled, “5 Fears that Can Destroy an Artist,” from the Skinny Artist website, https://skinnyartist.com/. For example, one common type of self-doubt that artists face is, “I’m not good enough.”(ibid)   In the interest of space, I am just going to focus on the first type of self-doubt, listed in the above-mentioned article. According to the author, Drew Kimble, the first type of self-doubt, describes an artist’s doubts in their craftsmanship and skill, and this is one of the most common types. (ibid) For example, as artists we are creating items that are not entirely essential, and that meets basic needs such as food, water, shelter, health, etc. (ibid) For instance, when times are tough and money is short, items that are not considered a necessity are often the first to be cut back from one’s budget. (ibid) Things like, “books, music, movies, art, performances,”are frequently considered to be an indulgence. (ibid)

What Causes Self-Doubt?

 You might ask what things can cause self-doubt for artists. This is a question that has many answers…Sometimes it may be a rejection form letter that comes in the mail for an art show, and it’s not the first one you’ve gotten. In fact, the number of rejections is beginning to grow. You will most likely get some sort of form letter stating something to the effect, Thank you for applying to this (blank) art show, but unfortunately, we were unable to select your work for this show. Please apply next time, etc. Or maybe, your cherished dream of getting into a graduate school program to study art did not work out, and it has made you wonder why you were not selected. Questions begin to swirl in your mind and you wonder, “Am I just not good enough?” or,” Why didn’t they choose my artwork, or why wasn’t I accepted to that particular art program?” The worst part about this type of situation is that you often can’t know why your art wasn’t selected unless you take the plunge and ask the art gallery director or dean for some feedback about your art. Sometimes, jurors or other decision makers might answer your question about why you didn’t get into the show, or the dean of the graduate school might give you some feedback about why you weren’t accepted into the graduate school program. If you can find out the reasons why for these types of rejections, especially if it’s in the form of constructive feedback, it can be very useful, to getting unblocked in your art practice, and start making progress toward your goals.

What can you do With Constructive Feedback about Your Art?

Maybe it means that your artwork didn’t fit with the style of that gallery, and you need to find a gallery that is a better fit. On the other hand, maybe you need to work on your portfolio some more and your artist statement to be sure that they both re-enforce each other. For example, I did get the chance to ask the admissions office of James Madison University why I wasn’t accepted into their painting program, and they were very gracious in their response with some specific guidelines about applying again. The dean suggested that I show my ideas and artwork to some art faculty members first, to get some feedback before re-applying for the art program. Ultimately, I decided not to re-apply for a number of reasons, but the feedback was helpful. So, what is an artist to do? Give in the feelings, press on anyway, take a break from painting and go on a vacation to Tahiti and avoid the whole problem until it hopefully, magically goes away?

What Can Artists Do to Alleviate Self-Doubt?

 Although this type of self-doubt may always be an issue for artists, there are some things that artists can do to challenge self-doubt, and re-evaluate how they think about their abilities. For instance, artists can complete a short-term art challenge, such as the Draw this Again meme, which was posted on the website, Deviant Art.com. This challenge charts the progress of several artists’ skills over time with photos of past and present artwork of the same subject, i.e. portraits. These artworks can be completed in whatever medium the artist wishes to work in, some of which include drawing and digital art. It is truly amazing to see what some time and practice can do when you look at the before and after photos. I’m going to try this challenge myself, between blogging, custom art orders, and building up a new portfolio in my “almost” daily sketchbook.  I’m hoping this challenge will help me to get out of my own pit of self-pity and passivity, and start picking up the brush more often, to see that change is possible and that growth in my skills as an artist is up to me. It’s been a week since I started writing this post, and I just completed a self-portrait painting to compare it to an older self-portrait that I painted as a student at McDaniel College in 2005, to do more own version of Deviant Art meme, Draw this Again. Next week, I will elaborate some more on other types of self-doubt that artists experience and hopefully, I can provide you with some helpful tips for overcoming these hurdles, especially the negative self-talk that seems to fuel the artist block and self-doubt.

self-portrait 2005, flat
Self-Portrait, oil on canvas, 2005, Jodie Schmidt.
self-portrait 2018m flat
Self-Portrait, oil on prepared paper, 2017, Jodie Schmidt.