The Importance of Drawing as Studio practice for artists

Why Artists Should Make Drawing a Daily Practice

 About a century ago (well I exaggerate a little); I was a college student studying art at McDaniel College in Westminster, MD. I had a brilliant and successful art teacher named Steve, who demonstrated how the practice of art-making and the hatching of new ideas could be brought to life, using a sketchbook.  He taught me many useful things, such as how to keep an art sketchbook pasted with photos of artwork by artists I admired, and how to write an artist statement that reflected my unique artistic voice. Above all, his most important advice was that I should draw every day. At the time, that task seemed quite difficult to stick with. I was always an impatient artist as a student and I often rushed through the drawing stage to hurry up and get to the painting. I learned later that that was a mistake. Now that many years have passed since my graduation from McDaniel, I can truly see the wisdom of his advice.

In hindsight, I realize that he was so right about drawing every day. Now, I no longer rush artwork and I have learned to love drawing, whether it becomes a painting or not. In fact, I have embraced his advice of a daily drawing habit at various times in my life, and I have worked on several art challenges for both human portraiture and pet portraits on my Instagram account. One of these challenges is called 100 faces in 100 days, in which I drew a pre-selected photo of a celebrity using only pencil and paper. I did not add in a lot of detail or shading and I limited myself to 45 minutes a day. The process of a drawing challenge gave me many opportunities for both successful drawing and ones that I didn’t like, but it helped me to see my progress, and that the practice bore much fruit in terms of learning to take the time to really observe my photo references and record my observations on paper. You could say drawing is akin to yoga or meditation because you need to be completely mindful in order to capture the nuances prevalent in realistic drawing.

At present, I am struggling to carve out time for drawing. Sandwiched in between working, and preparing an art portfolio for graduate school applications, and other responsibilities, I am striving to make time at least 1x a week to draw. This time, I am focusing on making mixed media pastel and torn paper collage drawings. These take several days to complete so I only post about 1x a week on my Instagram account.  But this working process works well for me, as the breaks in the

The World painting, flat
Stage 4: I began composing this piece by moving elements of the collage back and forth until I was happy with them. Then I had to cut them all out and paste them to the masonite. I created an entirely new sketch for the self-portrait and painted it in oils instead of acrylic so I could get more working time to blend and smooth the edges. 

 

Detail work, small
Stage 3: Next, I decided to paint my individual details and then add them to the substrate as collage pieces. I had to try several different adhesives to make these collage pieces stick from crazy glue to heavy acrylic gel, with varying degrees of success. The collage pieces were constructed on the illustration board, and are remnants of my first attempt at this painting. I used canvas paper for the parts I completely re-painted, such as the self-portrait profile figure.

The world, gradient, small
Stage 2: I started an entirely new painting on a new surface, using water-mixable oils on a masonite board as my support. 

First attempt, small
Stage 1: This was my initial sketch, created with acrylic, colored pencil, and pastel on illustration board. However, I wasn’t happy with it because of the colors, and some drawing errors in the self-portrait. I also decided to go with a more realistic style in the portraits and paint in tone rather than crosshatching in the final piece. 

action, give me additional time to evaluate the accuracy of my drawing proportions and the values in my shading. The most important take away I can say about drawing and getting good at it, is that it really helps your art practice to flourish. For instance, once you have the drawing and composition mastered, you can enjoy the next step more fully, whether its collage, painting or some other art form such as graphic design or sculpture. With an accurate drawing, you won’t have to worry about continuing to fix it and can fully embrace your next steps, and I am learning that it’s so much better to take the time and lay a good drawing as your foundation for your art.

A good case in point was my latest painting in progress, Money is the Bait, which started out unsatisfactorily because of several drawing errors in the initial portrait. I ended up starting from scratch in oils on a totally new surface, and it still isn’t finished. I hope to finish it by next week. Thanks for stopping by! If you want to follow my progress with the mixed media portraits, you can follow me on Instagram under my profile name, jsjschmidt.

Mixed media Explained: Part 2

Mixed media Explained: Part 2, Types of Mixed Media

 

Hello friends, family, and fans,

  • This week I am continuing to elaborate on the theme of mixed media art, and I will be highlighting specific types of mixed media art, such as sculpture, assemblage, and torn paper collage. Last week I covered a broad definition of mixed media art, and I also explored the historical roots of this art form, through the artwork of Pablo Picasso and Georges Braque. They began making cubist collage works in 1912, with a variety of materials including canvas and rope. (Source: Eapen, Boaz. 15 Inspiring Mixed Media Art Portfolios that You Must See, retrieved from November 12, 2019, pixpa.com.)

 

The following is a list of some frequently used types of mixed media art:

  • Sculpture: A sculpture can be made with a variety of materials; therefore, it can be classified as mixed media art. Some materials which can be used to create sculpture include wood, glass, wire, metal, or readymade objects, etc. To begin, you can start by making a base for your sculpture and then, incorporate other media to the piece such as paint. (Source: ibid.) While writing this blog post, I found a fascinating sculptor through an internet search, who specializes in fantastical animals with a surreal twist, named, Ellen Jewett. To see her work, go to my modern met website at https://mymodernmet.com/surreal-animal-sculptures-ellen-jewett/.
  • Collage: A collage can be defined as a base, or a surface such as wood, paper, stone, or anything which is adhered to another material such as paper or fabric. (Source: ibid.) You can use a variety of materials in a collage such as newspaper cuttings, photographs, ink, paint, magazine cuttings, fabric, etc. The artist, Romare Bearden (1911-1988), specialized in creating collages based on the African American narrative, using imagery from magazines, such as Look, Life, and Ebony. (Source: Romare Bearden Biography, (1911-1918), retrieved from,  https://www.biography.com/artist/romare-bearden
  • Assemblage: A close cousin to collage, assemblage has three-dimensional characteristics, which are composed in a new way to create a narrative. Readymade objects, such as children’s toys or items from the great outdoors, such as leaves or flowers can provide valuable fodder for this type of art. For instance, the artist, Joseph Cornell, (1903-1972) made assemblage boxes out of shadow boxes, photos, “Victorian bric-a-brac”, etc. He collected these items in junk shops throughout New York City and re-imagined these items to create artwork that expressed nostalgia. (Source: Wikipedia, Joseph Cornell, retrieved from https://en.wikipedia.org/wiki/Joseph_Cornell.)

With all of these options, it can be overwhelming to know where to begin your next project. As for myself, I like to look for supplies that are easy to find and relatively inexpensive. One good starting point for a mixed media project could be using paper as a surface or substrate. I have used Crescent cold press illustration board for my latest mixed media projects, which is a combination of cardboard and “100% cotton rag cold-press surface”. (Source: https://www.cheapjoes.com/crescent-no-310-illustration-boards.html#:)   My self-portrait pieces were made with a combination of wet and dry media such as acrylic paint, gouache, oil paint, and soft pastels to add texture and interest. There are many other ways to use paper as well in different types of mixed media projects such as torn paper collage, and printmaking, but this is just the tip of the iceberg. The possibilities are endless!

For example, below is a list of ways in which you can use paper in a mixed media project:

  • Printmaking: There are many types of printmaking such as linoleum block prints, silk-screen prints, and Gelli-plate printing. To make prints, you will need a surface on which you place or carve an image and then transfer it to your paper through various means. For instance, in linoleum block printing you can transfer your image on the block to the paper by applying ink to your design, and then pressing the block onto your paper to make a print. The supplies you will need may vary depending on what type of printmaking you choose to work with. To learn more, you can go to https://www.metmuseum.org/about-the-met/curatorial-departments/drawings-and-prints/materials-and-techniques/printmaking. (Source: The Beginner’s Guide to Making Mixed Media Art, 20 September 2018, retrieved from format.com).

 

 

The sky is the limit as far as what you can do here, although it’s a good idea to find out what the journal is made out of and what media it accepts, before attempting to paint in it. I recently obtained a Strathmore mixed media art journal from Amazon. It’s made of Bristol paper with a vellum finish. It’s designed to work well with dry media such as pencil, charcoal, and pastel. Or it can be used with pen and ink, marker, or college papers.

I’m hoping to use this journal to start some new projects from the Skillshare art classes I am taking online. Today, I tried my hand at the torn paper collage technique, and I used the tutorial by Jeanne Oliver provided in her book, The Painted Art Journal, which I highly recommend! My artwork was based on a family photo of my grandmother, Gladys Carter. Starting with a tracing of a sketch, I transferred the image to mixed media paper, using carbon paper and a pen. Then, I used a variety of different media here, with soft pastel, watercolor pencil, water, and torn papers affixed to the mixed media paper substrate. I’m hoping to post photos of this portrait project in next week’s blog post, I ran out of time today and had to go to work this afternoon. It’s a work in progress, and getting outside of my comfort zone to mix up all these different media types! That’s it for this week! Thanks for reading. Artist at work, with watermarkArtist at work, 2, with watermark, flatartist hands with watermark, flatThe World, composition, flatStudio space with watermark, flat

Artists: Rekindle Your Creativity

 

Confession: I Haven’t Been Painting Much

I have a confession to make; I haven’t been painting very much lately, even though I call myself an artist. In fact, it’s been almost a month since I painted a picture, or even wanted to work on a painting. Yesterday was my first day back at the easel, working on a complicated water lily painting.  Although this subject seems simple, it has been quite challenging to execute. I have been trying to push myself beyond my usual comfort zone of placing everything in the middle of my artwork and to create alternative compositions. I have spent a lot of time, effort and thought to explore different compositions and value schemes to resolve the painting.

Sometimes Life Gets in the Way of Creativity

But it’s been an off and on the journey, with very little motivation to create again. This lack of motivation to be creative is, unfortunately, nothing new in my journey as an artist. Instead, it has been a frequent and unwelcome companion. For some reason, I no longer have that naive joy I used to have in creating art, where I was free from the brutal inner critic. Instead, now it seems that my artwork must have a purpose, in order to be worthwhile. Somewhere, perhaps buried deep inside me, is a desire to create, but that has to compete with a myriad of other priorities that fight for my attention, such as cooking, organizing, cleaning, to-do lists, etc. It’s a constant tug of war, deciding what my priorities should be. Other things that make me doubt the point of being creative and feeling like it’s a luxury to make art have been the drying up of art sales and commissioned work. In addition, I have had to cancel several art events due to weather conditions, or a lack of interest from others. All in all, it makes me wonder, what is the point? Does anyone really care if I make art or not? Does it impact their lives?  Is it meaningful for me to make art, whether it sells or not?  Is this a hobby, a business, or something in between? What is my purpose in creating art?

Ways I have been Making Time for Art

Despite my doubts about the validity of making artwork, I have been pushing myself to create art nonetheless, kind of like adhering to a fitness schedule. One of my methods to keep my drawing skills sharp has been to draw a dog portrait from a reference book called, For the Love of Dogs, by the photographer, Rachael Hale, five days a week and to post the results on Instagram. I try to keep the sketches simple, and I  spend about 30-45 minutes on each drawing.  However, I am not sure how to get back my love for creativity. Instead of taking time to ponder this question, I tend to spend my time reading or watching the British television mystery series on YouTube, called Lewis.  But now I am starting to wonder, what steps can I take to start enjoying making art again? So, on that note, I would like to share some tips from an article I read on a website called, Skinny Artist, managed by Drew Kimble.

The author, of the article, “5 Ways to Rediscover Your Art and Reclaim Your Passion”, states that there are five techniques which can be used by artists to rediscover their creative spark. The techniques he lists include: 1. finding ways to nourish your creativity, 2. reducing distractions in your environment, 3.) locating a community of creatives, either online or in real life, 4. engaging in small creative practices on a daily basis, and 5., keeping your creative practice varied by changing up your techniques, media, etc. (Source: Drew Kimble, “5 Ways to Rediscover Your Art and Reclaim Your Passion,” www.skinnyartist.com.) In the interest of brevity, I am only going to share a few of Drew Kimble’s tips.

Nourish Your Creativity

Drew Kimble states that to keep your creative well flowing, you need to re-group by viewing as much art as you can. (Source: ibid)  By observing works in art galleries, books, art magazines, websites, etc., it will help you to define the direction in which you would like your artwork to go, and inspire you with imagery to re-construct, abstract or re-interpret your artwork through the lens of other artwork. (Source: ibid) A quote from Isaac Newton helps to illustrate this concept: “If I have seen further, it is by standing on the shoulders of giants.”

Limit Your Distractions

In our twenty-first century modern society, we are frequently inundated with distractions, whether it comes in the form of cell phones, the internet, movies, hello, YouTube, etc. (Source: ibid) A cell phone alone contains a myriad of distractions including: “movies, instant messenger, arcades, phone games”, such as Pokémon Go, etc, etc. (Source: ibid.) This does not include other distractions, which may seem well-intentioned or important: such as cleaning, cooking or organizing our homes. And for most of us, we need to make a living outside of our art, unless we are retired, have a trust fund, or a well-off partner who helps to support our artistic careers, so there is also time we need to dedicate to our jobs. (Source: Ibid.) On the other hand, to be creative, we must carve out empty places in our schedules, or what I like to call, white space. (Source: Ibid.) Without stillness and solitude, it is difficult to create an environment conducive to creativity where memories, experiences, literature, song lyrics, cultural influences, history, imagery, etc, can merge to create the seeds of inspiration. (Source: Ibid.)  In fact, Agatha Christie has been known for saying that some of her best ideas came to her for novels when she was washing dishes. She states, “The best time to plan a book is while you’re doing the dishes.” (Source: https://www.brainyquote.com/authors/agatha_christie)

In addition, the author, Drew Kimble, suggests that keeping a “time journal” for many days can help him to identify what activities he spends his time doing. (Source: Ibid.) Another tip he shares is to schedule time for making art and to be gentle with yourself, even if you don’t meet your expectations and cross everything off your to-do list. (Source:  Ibid.) Likewise, I have been trying to reduce the number of items I place on my to-do list, as far as creative projects are concerned. I’ve been realizing that most days, I can only do one project at a time, especially on days when I work at my part-time job. I’m trying to make Thursdays a day to spend more time on creative projects. One of the projects I hope to get started on, is my poetry illustration narrative series, an art project I have yet to complete because of its complexity. I also want to focus my energies on my daily drawing challenge, which features dog portraits. I’m learning that if I take on too many art projects, I have a tendency to leave these projects unfinished and then I feel guilty for being so unproductive. One other way I could make time for art would be to cut down on the time I allocate for entertainment, especially movies, which can take up a lot of my free time if I am not careful.

Conclusion: What’s the Point of Making Art?

In closing, I would like to return to some questions about the meaning of art, both to myself and to the society in which I live. Pondering the role of art in my society and in my life specifically, I read and researched some articles online to see what others had to say about the importance of art in our society, to address one of the main questions I posted about making art, which is, What’s the point? So here are a few thoughts from an article I read: “Why We All Need  Art in Our Lives,” by Lesli Walsh, April 11, 2013, retrieved from http://www.michipreneur.com/why-we-all-need-art-in-our-lives/. The first point, the author, Walsh makes is that 1.) art is an integral part of who we are as humans, and that it can help us to create balance in our lives or to find other routes for self-expression when words fail us. (Source: Ibid)  Point number two is that art helps us to understand how historical events impact people emotionally, and how it has shaped our own lives. (Source: Ibid) Thirdly, making or viewing art can help us to become more self-aware about our inner thoughts, desires, fears, etc, and gives us a chance to slow down and decrease the stress we experience from living in a multi-tasking, fast-paced society. (Source: Ibid) Through self-awareness, we can grieve losses and heal from traumas. Another value we can get from making art is that it can help us to develop critical thinking skills, by teaching us how to represent abstract thoughts and concepts in concrete ways through visual symbols. (Source: Ibid) Finally,  by talking about the art we make, we can learn how to be better communicators with others. (Source: Ibid) One last thought about the value of art is that it can transcend cultural differences and give people a common language, where words are not necessary. (Source: Ibid) Thanks for stopping by and readingwater lily three value sketch_edited-1, flatWater Liliy redux, finalwater lily watercolor, color study_edited, flatLily pad with frog_edited-1, flat!

Upcomming Art Show at Sky Stage in Frederick, MD

Hello Family Friends and Fans,

I wanted to share some exciting news! After several months of the art show circuit, I am back on track and will be exhibiting my oil paintings, acrylics and some watercolors at a 1-daywhite water lily, mini, flatCanada Goose trio,flatclose up of pink water lilliy, flatpink water lillies, flat

Koi group, flat

pop-up event, hosted by Leslie Ruby. I will be selling my artwork and be demonstrating how to draw portraits in pastel. This event will be part of a group of artisans and makers who will be displaying their creations at Sky Stage in Frederick, MD, hosted by the wonderful Leslie Ruby. Here is a link to the website for Sky Stage in case you aren’t familiar with the location: http://www.skystagefrederick.com/. Hope to see you there!

Artists: What Should You Do with Unfinished Work?

It all started with a bad day

It was a tough day in the art studio today. I woke up this morning with very little energy; however, I was determined to make time for art regardless of my lethargic state. Several cups of coffee and a long walk around my neighborhood later, I was ready to begin. I set out to start a cat portrait I have wanted to work on for a while from one of my art technique books. I set my timer for 25 minutes and I started drawing from an art demonstration book. Suffice it to say, the drawing did not go well, at all, despite several attempts to get the proportions of the cat’s body correct. Each attempt just brought on more feelings of frustration. After the third attempt, I finally gave up and put my supplies away and went to do something else, probably laundry or reading a book. After working on the cat portrait, I realized that I am really out of practice when it comes to doing animal portraits, as I have been focusing a lot more on floral subjects, which is made up of simpler shapes and less precise in their proportions than animals and people. And I realized that I needed to practice drawing much more often like I did last summer when I completed a drawing challenge, 100 Faces in 100 days, which featured celebrity portraits.

What I observed from the day

I tried not to beat myself up about it, or obsess about what my failure to meet my expectations might mean, but I think that this drawing might end up in the growing pile of unfinished artworks. This observation brings me to today’s topic, which is, what to do with your unfinished artwork. As I mentioned in a previous post, I have several unfinished or unsatisfactory art projects residing in my art studios, such as pastels, drawings, watercolors and some oil paintings that did not turn out as I had envisioned. This makes me wonder, what should I do with this collection of art misfits? Earlier last week, I serendipitously found the article, “50 Ways to Use Your Unfinished Art,” by Carrie, on https://www.artiststrong.com/50-ways-to-use-your-unfinnished-art/.

What I have done in the past with unsatisfactory art

In the past, I have usually tried to resolve issues with unfinished artwork, sometimes starting over from scratch; i.e. creating a brand new drawing on a new substrate and re-surfacing the canvas by sanding it with heavy grit sandpaper so it can be re-gessoed. Other days, when I am more desperate or frustrated, I throw it in the trash, never to be seen again. Unless of course, my husband gets to it before I take out the trash. In which case, he fishes it out and says, ‘Why did you throw this away?” Or, some variation upon that theme usually ensues when he finds my rejected art. Ok, so now on to some information I would like to share with you about the article I read, “50 ways to Use Your Unfinished Art.” Here are a few highlights from the article.

  • Take a photo of the artwork and “”manipulate the photos” to re-design it. Adobe PhotoShop is a good photo editing program to try for this option, with editing tools such as cropping, filters, light and dark balance, and photo filters. The possibilities here are really endless!
  • “Abandoned art project, anyone?” (Source: 50 Ways to Use Your Unfinished Art”)
  • Cut the artwork into pieces to construct a college. For example, the artist and author, Ann Blockley, has an excellent book, which describes this technique called, Experimental Landscapes in Watercolor, and it’s available on Amazon.com.
  • Cut the artwork and create a background for another piece of art.
  • Select a completely different art medium to finish the art. For instance, make it a mixed media piece.Amazon.com or your local library will probably have lots of books on mixed media art from which you can gain inspiration and techniques.
  • Re-use it in a reconditioned item of furniture.
  • Create a tray from your art using epoxy.
  • Throw the painting away-if it makes you feel better.
  • Take a break from it for two weeks or a month, to get some objectivity about your work. After that, re-assess your incomplete work, but only complete the pieces that you feel led to work on, and let go of the ones you aren’t sure how to resolve.
  • Post a photo of your artwork in a community where artists give each other feedback, such as http://www.emptyeasel.com, and ask for help from others.

    Self-Portrait, unfinsihed, flat
    Self-Portrait, pastel on paper, 18 x 24 inches, 2014, Jodie Schmidt.

     

    German Shepherd, pastel, flat, final
    German Shepherd, pastel on paper, 18 x 24 inches, 2018, Jodie Schmidt.

    Lincoln, unfinished, flat
    Abraham Lincoln, oil on canvas, 9 x 12 inches, 2018, Jodie Schmidt.

    Apple Still Life with blue bottle, flat
    Apple Still Life, acrylic on canvas, 11 x 14 inches, 2017, Jodie Schmidt.

    Cows grazing, unfinsihed, flat
    Out to Pasture, oil on canvas, 11 x 14 inches, 2014, Jodie Schmidt.

 

Below are some links to websites that can help you get started with some of the techniques listed in this article, such as collage. Another website to visit for ideas on how to re-invent your art might include, youtube or Pinterest. YouTube is a great way to see techniques demonstrated, it’s almost as good as being in a class. Just be sure to look for art tutorials with narration so you can learn what techniques and materials the artists are using to make their work. It’s harder to figure that out with the speeded up variety called, time lapse. Thanks for stopping by! I hope this article is helpful to someone out there who is struggling to complete their art. I am definitely going to try out some of these techniques myself to try and complete some of my unfinished art, which is posted in this week’s blog! I’ll let you know how it turns out.

.

New Art work available on Etsy

Hey friends, followers, and family,

I just uploaded my new painting, Perfect Pair of Swans to my Etsy shop, so the original is now available for sale! The original painting is made with oil paints and canvas and measures 10 x 10 inches. The item is for sale at $250 and comes unframed.

Prints, mugs, and other reproductions of this work can be found on my Red Bubble Commerce site at https://www.redbubble.com/people/jsjschmidt2017/works/30920335-perfect-pair-of-mute-of-swans?asc=u&ref=recent-owner. Prices for I-phone cases start at $20.83. Many other items are for sale on this site also featuring these swans including canvas prints, mugs, clocks, and pillows.

Here are the links to my commerce shop if you are interested in taking a look at the original oil painting: https://www.etsy.com/shop/ArtofSchmidt.https://www.etsy.com/shop/artofschmidt If you have trouble with this link, go directly to my artist website: http://www.artofschmidt, and then click on buy art. Two links to my artwork on Etsy and Red Bubble should appear that are active. Perfect Pair of Swans_edited-1

Painting of the Week

Here is a painting of two mute swans that I recently completed using oil paints, alkyd, and cotton duck canvas. Reproductions of this work are available on my Red Bubble website in the form of prints, i-phone cases, mugs, acrylic blocks, etc. Here is a link to the website; https://www.redbubble.com/people/jsjschmidt2017/works/30920335-perfect-pair-of-mute-of-swans?asc=u. I am working on getting the original post on my Etsy site, but it seems to be having technical difficulties today. I will try again tomorrow, and if it works, I will post a link here for anyone who is interested in purchasing it. Perfect Pair of Swans_edited-1

On and Off the Wall, Art Show at the Artists’ Gallery in Frederick, MD

Hello Friends, Family, and Fans,

Life for me has been pretty hectic, so some things like blogging have unfortunately been tabled for a while. Today, I wanted to share some photos I took of the On and Off the Wall Box show at The Artists’ Gallery in Frederick, MD. The show features a variety of local artists’ work in a variety of mediums in everything from sculpture, collage to oil painting, etc. Since I have been short on time, this blog post is more image heavy, rather than my usual, more thoughtful and wordy blog posts. Solitude is my completed mixed media box, which illustrates the poem, Stopping by the Woods on a Snowy Night, by Robert Frost. Each panel features a vignette of a winter landscape with text from the poem, so viewers can easily make this connection between poetry and the illustration. All of the other images are works from other local artists.

Stay tuned for my next post, which will be on how artists can effectively deal with self-doubt. For today, enjoy the images of these amazing boxes. I was amazed by the creativity of these artworks and how each box was unique. If you want to learn more about the art show, visit: http://www.theartistsgalleryfrederick.com. All art is for sale at this show, and bids for the silent auction start at $100. Proceeds from the show will help ensure the continued operation of the Artists’ Gallery, which is owned and operated by local artists. These photos are just a small sample of the beautiful and inventive artwork which comprises this show. It’s so much better to see these works in person if you can. The gallery hours are Friday and  Saturday, (12 noon- 9 pm) and Sunday, (12 noon-5pm). The show will be displayed for the month of March.  Thanks for stopping by!

On and Off the wall flier,jpg_edited-1
Flyer for On and Off the Wall, The Artists’ Gallery, Frederick, MD

Solitude front of box, with watermark
Solitude, Mixed Media, 2018, Jodie Schmidt.

Solitude side of box, with watermark_edited-1
Solitude, Mixed Media, 2018, Jodie Schmidt.

gallery wall three with watermark, final
Light Box and Iguana Box, The Artists’ Gallery, Frederick, MD

gallery wall 4, with watermark, final
Icon and Geometric Collage, The Artists’ Gallery, Frederick, MD

gallery wall five, final
Animal Portraits, The Artists’ Gallery, Frederick, MD

light horse lamp, with watermark, final
Light Horses Lamp, The Artists’ Gallery, Frederick, MD

lady liberty collage, with watermark, final
Lady Liberty Collage, The Artists’ Gallery, Frederick, MD

Mixed Media collage, final
Mixed Media Collage, The Artists’ Gallery, Frederick, MD

Butterfly Box, final
Butterfly Box, The Artists’ Gallery, Frederick, MD

Self-Portrait with Oil Lamp (Painting of the Week)

The painting of the week is inspired by my blog post, Why Artists Should Make Content-Based Art Work, and by the baroque artist, Georges La Tour, who specialized in portraits lit by candlelight. Self-Portrait with Oil Lamp, Oil on Canvas, 11 x 14 inches, 2013, $250.00. This item is available for purchase on my artist commerce site: https://www.etsy.com/shop/ArtofSchmidt.

Self-Portrait with lamp, edited