Mixed Media Art: Explained, Part 1

Mixed Media Art: Explained (A brief definition)

 

Hello friends, family, and fans,

Have you ever gone to an art gallery and observed a work of art that was labeled mixed media, and wondered what it meant? I know I have, and I have wondered, how might I incorporate these mediums in my artwork? This question was the catalyst for starting my new art series, Constructed Realities, which combines a variety of mediums including, gouache, soft pastel, acrylic, pencil, and oil paint with a cold press illustration board as a substrate. In some ways, my art is a mixture of mixed media and traditional techniques; because I use realism for the style, but I also combine it with a variety of media, rather than working on one media, such as in oil painting, as has been the traditional practice for painting.

Today, I am focusing on describing mixed media art, in terms of a broad definition, and more specifically to explain what I mean when I label my own art, mixed media. And now, I’d like to offer a brief definition of mixed media art. Mixed media is a type of art that doesn’t limit people who have limited experience with art skills such as drawing. (Source: Eapen, Boaz. 15 Inspiring Mixed Media Art Portfolios that You Must See, retrieved from November 12, 2019, www.pixpa.com.) Instead, it is an art form that is accessible to anyone, even beginners. (Source: ibid)  However, one caveat is that after you decide what type of mixed media art you want to focus on, you will need to develop some familiarity with specific processes and specific media, (Source: ibid), such as watercolor interact with other media.

Did you know that mixed media art has been around for about 100 years? I didn’t until I started researching this subject in more detail. Some historical examples of mixed media art include the artwork of the cubist artists, Pablo Picasso and Georges Braque, his cohort. About 1912, they began to incorporate collages into their artwork. (Source: ibid) In addition, “Surrealists, abstract expressionists, pop artists and brit artists” followed suit, and added mixed media to their repertoire of art-making. (Source: ibid)

In recent years, there has been an explosion of mixed media artwork on the internet on websites such as Youtube and Cloth Paper Scissors, (which also had a periodical format with artwork featuring a variety of artists), and in art technique books, by authors/artists such as, Pam Carriker, Mixed Media Portraits (2015) and Jean Oliver, The Painted Journal (2018). These artists have used a combination of wet and dry media, charcoal and paint, and or gesso, in their portraits. On youtube, you can find art journaling technique video demonstrations by artists such as Dina Wakely and one of my favorite artists and teachers, Julie Fan Fei Balzer.  It’s a fun and free way to learn new art techniques from the comfort of your own home, which is really important these days, since so many colleges and art centers are closed, due to the pandemic.

I started out my mixed media art journey by working in a sketchbook to conquer my fears about mixed media, and it gave me the courage to explore mixed media in this new series. There is little to lose if you don’t like the artwork, and you can simply turn the page, rather than worry about ruining an expensive art canvas. Creating artwork with mixed media techniques is also helpful if you find yourself caught in the dreaded state of mind called the artist’s block, where you know you want to create something but feel stale in your chosen medium and want to learn something new and feel excited about making art again. My favorite website for looking up art tutorials is youtube. If you have a specific artist you are looking for, you can search for them, such as Pam CarrikerCS Lewis with watermark, flatEmily Dickinson portrait, flatmixed media self-portrait sketch, flatElizabeth Shue sketch, flatstill life sketches, flatunfinished sketches, flat, who has many instructional videos. And to learn more about art journals, visit: https://mymodernmet.com/art-journal-ideas/, to read the article, “How to Combine Drawing and Writing into Deeply Personal Art Journals”, by Sarah Barnes, October 11, 2017. Thanks for stopping by!

Constructed Realities: Part 3, A Focus on My Childhood

I am slowly making progress toward my goal of making 20 new artworks based on poetry quotes. When complete, I am hoping to submit them as a portfolio to apply to graduate school for a masters in fine art, so I can teach college-level art classes.  Over the past few weeks, I have been noticing a thread of common themes, one of which is my childhood. For some its a time of nostalgia, and for others, something to forget. For me, its a mixed bag, and the few memories I have from early childhood are fragmented, with few details. I took inspiration for this piece from many personal photos and from Billy Collin’s poem, Forgetfulness. The piece was created in stages with gouache sepia-toned paints, acrylic paints, gesso, and soft pastel with a limited color palette.

Childhood Collage memory loss, watermark
Childhood Memory Loss, Gouache and soft pastel, and acrylic paint, 16 x 13 inches, Jodie Schmidt, 2020. 

I took additional inspiration from this artwork by searching for poems written about the subject of forgetfulness. I found this gem of a quote from Billy Collin’s poem, “Forgetfulness,” “As if one by one, the memories you used to harbor decided to retire to the southern hemisphere of the brain, to a little fishing village with no phones.” Though the poem does not specifically address the issue of childhood amnesia, I felt it captured the feeling that memories are unstable and sometimes inaccessible.

I can remember small details, like elementary school book fairs, and my love of reading, library visits with my father, and being outdoors a lot on my favorite tire swing. However, more specific details have been more difficult to access, such as specific memories of how I got along with my sisters, who were many years older. It’s as if a giant hand has wiped out these memories, and without the aid of family photos and my mother’s memories, I would really be at a loss. All of this inspired me to make a pastel and gouache collage based on family photos of things I can no longer remember. This series has been a marathon, and a mirror, endless practice, mistakes, and setbacks. And all the while, it’s holding up a mirror to all of the weaknesses I have as an artist, especially in figure drawing and composition. How I wish I had paid more attention to figure drawing class as an art student! So, whatever the outcome of this series might be, getting into graduate school or not, it has been a journey chock full of lessons and opportunities to grow as an artist. Thanks for reading! 

Art of Schmidt Newsletter: May 2018

Hello Family, Friends, and Fans,

I have decided to start posting my newsletter on my blog, since becoming a homeowner, rather than sending out individual emails to my mailing list. Anything that helps me to scale back is something I am embracing these days. This month’s newsletterArt of Schmidt Newsletter, May, finalArt of Schmidt, May 2018, page 2, finalArt of Schmidt, May 2018, page 3, project life_edited-2Art of Schmidt, May 2018, page 4, make time, final features some pages from my sketchbook entitled, Draw Every Day, Draw Every Way, by Julia Orkin Lewis and my featured topic is making time for art.