Artists: How to Re-Surface Old Paintings, both oil and acrylic

A Response to Last Month’s Post: How to Re-Prime Used Canvases

 

This blog post is inspired by a blog post from last month, entitled: Artists: What Should You Do with Unfinished Artwork? dated August 12, 2018. In this post, I wrote about the artwork that had been abandoned for various reasons. I also added a list of various highlights from an article entitled, “50 Ways to Use Your Unfinished Art.” Several suggestions for completing your artwork were listed in the aforementioned article including taking pictures of your artwork to manipulate it, cutting up the artwork and re-assembling it, throwing the painting away, etc. However, one technique that I didn’t mention for completing art work is to start over from scratch. For example, this could mean re-surfacing an old canvas by using sandpaper or even a power sander, depending on how thick the paint has been applied to the canvas. The processes for re-finishing canvases are different, depending on whether acrylic or oil paint was used, which is a fact that I learned after reading two articles on The Painters Keys website- Re-priming Old Canvases, and How to Resurface an Old Painting by Ericka Lancaster. I really wish I had known this sooner, as I am not sure how my old paintings, which have been re-surfaced with sandpaper and acrylic gesso, will hold out over time.

Consequently, I plan to do more research in the future, before I am embarking on a similar project with older canvases. I want to be certain that I can create quality paintings which will pass the test of time. Ok, so now to what I learned from reading these articles. For example, in the Painter’s Key’s website, the author responded to a query from a reader about how to restore an old canvas, so that it could be re-painted. (Source: http://thepainterskeys.com/reprime, Robert Genn, date of access 08/24/18). In response, the author stated that to re-surface an old oil painting can create some concrete and creative challenges because if the re-surfacing process is not done correctly, it can cause the paint to flake off from the surface.  (Source: ibid) Therefore, because of this possibility, many artists choose instead to use new materials, i.e. new canvases or substrates.  (Source: ibid)

Here are some tips for re-purposing oil paintings from the article, Re-priming Used Canvases:

  • Sand the surface of your oil painting until it is completely dull in appearance. (Source: Ibid)
  • I used a power sander with 150-grade coarse sandpaper, because it is easier to use than individual strips of sandpaper, and it gets the job done much faster.
  • After you sand the painting, use a microfiber cloth to get rid of any excess paint chips. For heavily encrusted paint, you can give the canvas or paper another pass with the power sander.
  • When the canvas is completely clean and you can see the tooth of it, use an “oil or alkyd-based gesso or oil primer.” (Source: ibid) You can use a scumbled technique and a rag, to cover the offending areas you don’t like about your painting, and leave other areas, untouched that you like. Using this technique is a compromise between using the old surface and the paint which remains, and painting a new layer of paint. (Source: ibid)

 

  • As an alternative, you can use a mixture of titanium white oil paint and linseed oil. You may add additional colors to the mixture if you would like to add an underpainting; such as burnt sienna or yellow ochre. (Source: ibid) This step will provide you with a middle value, with which to compare your other values and help to create color harmony in your painting.

 

On the other hand, re-priming or painting over acrylic paintings is a  completely different scenario and process. For instance, “acrylic molecules remain sticky forever,” and you need to ensure that there is “no final varnish remaining.” Instead, acrylic paintings should be “cleaned outdoors with household ammonia and well flushed with water before applying a water-based gesso, thick or thin.” And unlike oil based surfaces, paintings with an acrylic paint can be re-surfaced with gesso as a priming agent. (Source: ibid)

Here are some steps you can follow to re-surface an old acrylic painting, according to the artist, Erica Lancaster:

  • Clean the old acrylic painting with a soft microfiber cloth until it is free of dust or grime.
  • Use sandpaper to remove the old acrylic paint with a light touch, while you concentrate on “heavily textured” sections of the canvas. If you can’t get rid of all the texture from the acrylic paint, don’t worry about it.
  • Go over your sanded acrylic painting with a clean cloth to remove any additional paint particles.
  • Paint your canvas with Gesso and use even coats. Remember to let each coat dry at a time before applying a new layer of gesso. This can take up to 24 hours to “cure.” If you want to thin out your gesso, you can add water to the mixture. Test your canvas and check to see that it is completely dry, before applying any acrylic paint. As a general rule, you want to have at least two dry coats of gesso on your painting before you begin adding acrylic paint.
  • Go over your canvas with sandpaper again. As to how many times you choose to sand the canvas that is completely up to you. Deciding on what amount of texture to give your paintings is a personal creative choice, and it depends on what type of “look” you want your painting to have, such as photorealism or abstraction. If you want a realistic look, you would want less texture and thin smooth layers of paint.
  • The final step before you begin painting is to wipe your canvas again with a clean microfiber cloth. Now your canvas is ready to begin painting upon. (Source: http://www.erikalancaster.com/art-blog/how-to-resurface-old-canvas-paintings-to-crete-new-artwork.com, “How to Resurface Old Canvas Paintings to Create New Artwork,” Erika Lancaster, date of access, 8/24/18.

So there you have it. Two different approaches to re-surfacing old paintings, depending on whether you have an acrylic or oil painting on your canvas.  This week’s artwork

water lily three value sketch_edited-1, flat
Three Value Sketch, water lily, graphite on paper, 5 x 7 inches, Jodie Schmidt, 2018.
Water Liliy redux, final
Adobe Photoshop Photo Collage, digital image, Adobe Photoshop Elements, 5 x 7 inches, Jodie Schmidt, 2018.
water lily watercolor, color study_edited, flat
Color Study for Water Lily, Mixed media, 6 x 7 inches, Jodie Schmidt, 2018.

features the creative process of my latest painting in progress, a water lily.  My next step is to combine all these sources I created to make a completed oil painting, which I hope to finish in the near future! Happy painting and thanks for stopping by!

Pastel Work Shop on September 22, 2018

Hello friends, fans, and family,

I will be hosting a pastel workshop at the Dublin Roasters coffee shop in Frederick, MD on September 22, 2018, from 1-3 pm. Here is a link to the website, in case you need directions: http://www.dublinroasterscoffee.com.

The cost per person is $25 and it includes a live demonstration about how to create a dramatic still life in pastels. Using a step by step approach, I will teach you how to create a masterpiece in pastels. All supplies for the class are provided by me, including pastels and paper. The subject will be a carafe and onions with chiaroscuro lighting similar to the old master, Rembrandt. Seating is limited so email me asap if you are interested. I will be reserving a small room in the back of the coffee shop, Room 1. To register, email me at jsjschmidt2@gmail.com. You can pay for the class the day of the event, by cash or check.  Beginners are welcome! Come on down! pastel still life with onions and carafe1

Unplugged Festival: Saturday, September 8 from 1 pm-5 pm in Brunswick, MD

Hello Family, friends and fans, I am excited to share that I have been invited to be a vendor at the Unplugged Festival hosted by Brunswick Main Street and Pop Up Frederick. My artwork will be for sale, and I will be part of a larger group of artisans and makers. There will also be games and “battery-free” fun for the whole family. Here is a link to learn more about this exciting event:  https://www.facebook.com/events/2232929753595902. white water lily, mini, flat

Upcomming Art Show at Sky Stage in Frederick, MD

Hello Family Friends and Fans,

I wanted to share some exciting news! After several months of the art show circuit, I am back on track and will be exhibiting my oil paintings, acrylics and some watercolors at a 1-daywhite water lily, mini, flatCanada Goose trio,flatclose up of pink water lilliy, flatpink water lillies, flat

Koi group, flat

pop-up event, hosted by Leslie Ruby. I will be selling my artwork and be demonstrating how to draw portraits in pastel. This event will be part of a group of artisans and makers who will be displaying their creations at Sky Stage in Frederick, MD, hosted by the wonderful Leslie Ruby. Here is a link to the website for Sky Stage in case you aren’t familiar with the location: http://www.skystagefrederick.com/. Hope to see you there!

Artists: What Should You Do with Unfinished Work?

It all started with a bad day

It was a tough day in the art studio today. I woke up this morning with very little energy; however, I was determined to make time for art regardless of my lethargic state. Several cups of coffee and a long walk around my neighborhood later, I was ready to begin. I set out to start a cat portrait I have wanted to work on for a while from one of my art technique books. I set my timer for 25 minutes and I started drawing from an art demonstration book. Suffice it to say, the drawing did not go well, at all, despite several attempts to get the proportions of the cat’s body correct. Each attempt just brought on more feelings of frustration. After the third attempt, I finally gave up and put my supplies away and went to do something else, probably laundry or reading a book. After working on the cat portrait, I realized that I am really out of practice when it comes to doing animal portraits, as I have been focusing a lot more on floral subjects, which is made up of simpler shapes and less precise in their proportions than animals and people. And I realized that I needed to practice drawing much more often like I did last summer when I completed a drawing challenge, 100 Faces in 100 days, which featured celebrity portraits.

What I observed from the day

I tried not to beat myself up about it, or obsess about what my failure to meet my expectations might mean, but I think that this drawing might end up in the growing pile of unfinished artworks. This observation brings me to today’s topic, which is, what to do with your unfinished artwork. As I mentioned in a previous post, I have several unfinished or unsatisfactory art projects residing in my art studios, such as pastels, drawings, watercolors and some oil paintings that did not turn out as I had envisioned. This makes me wonder, what should I do with this collection of art misfits? Earlier last week, I serendipitously found the article, “50 Ways to Use Your Unfinished Art,” by Carrie, on https://www.artiststrong.com/50-ways-to-use-your-unfinnished-art/.

What I have done in the past with unsatisfactory art

In the past, I have usually tried to resolve issues with unfinished artwork, sometimes starting over from scratch; i.e. creating a brand new drawing on a new substrate and re-surfacing the canvas by sanding it with heavy grit sandpaper so it can be re-gessoed. Other days, when I am more desperate or frustrated, I throw it in the trash, never to be seen again. Unless of course, my husband gets to it before I take out the trash. In which case, he fishes it out and says, ‘Why did you throw this away?” Or, some variation upon that theme usually ensues when he finds my rejected art. Ok, so now on to some information I would like to share with you about the article I read, “50 ways to Use Your Unfinished Art.” Here are a few highlights from the article.

  • Take a photo of the artwork and “”manipulate the photos” to re-design it. Adobe PhotoShop is a good photo editing program to try for this option, with editing tools such as cropping, filters, light and dark balance, and photo filters. The possibilities here are really endless!
  • “Abandoned art project, anyone?” (Source: 50 Ways to Use Your Unfinished Art”)
  • Cut the artwork into pieces to construct a college. For example, the artist and author, Ann Blockley, has an excellent book, which describes this technique called, Experimental Landscapes in Watercolor, and it’s available on Amazon.com.
  • Cut the artwork and create a background for another piece of art.
  • Select a completely different art medium to finish the art. For instance, make it a mixed media piece.Amazon.com or your local library will probably have lots of books on mixed media art from which you can gain inspiration and techniques.
  • Re-use it in a reconditioned item of furniture.
  • Create a tray from your art using epoxy.
  • Throw the painting away-if it makes you feel better.
  • Take a break from it for two weeks or a month, to get some objectivity about your work. After that, re-assess your incomplete work, but only complete the pieces that you feel led to work on, and let go of the ones you aren’t sure how to resolve.
  • Post a photo of your artwork in a community where artists give each other feedback, such as http://www.emptyeasel.com, and ask for help from others.
    Self-Portrait, unfinsihed, flat
    Self-Portrait, pastel on paper, 18 x 24 inches, 2014, Jodie Schmidt.

     

    German Shepherd, pastel, flat, final
    German Shepherd, pastel on paper, 18 x 24 inches, 2018, Jodie Schmidt.
    Lincoln, unfinished, flat
    Abraham Lincoln, oil on canvas, 9 x 12 inches, 2018, Jodie Schmidt.
    Apple Still Life with blue bottle, flat
    Apple Still Life, acrylic on canvas, 11 x 14 inches, 2017, Jodie Schmidt.

    Cows grazing, unfinsihed, flat
    Out to Pasture, oil on canvas, 11 x 14 inches, 2014, Jodie Schmidt.

 

Below are some links to websites that can help you get started with some of the techniques listed in this article, such as collage. Another website to visit for ideas on how to re-invent your art might include, youtube or Pinterest. YouTube is a great way to see techniques demonstrated, it’s almost as good as being in a class. Just be sure to look for art tutorials with narration so you can learn what techniques and materials the artists are using to make their work. It’s harder to figure that out with the speeded up variety called, time lapse. Thanks for stopping by! I hope this article is helpful to someone out there who is struggling to complete their art. I am definitely going to try out some of these techniques myself to try and complete some of my unfinished art, which is posted in this week’s blog! I’ll let you know how it turns out.

.

New Art for Sale!

Hello Family, Friends, and Followers,

I have been adding some of my new miniature oil paintings to my Etsy Shop at https://www.redbubble.com/people/jsjschmidt2017, and the reproductions are available at my Red Bubble shop: https://www.redbubble.com/people/jsjschmidt2017. The original oil paintings include some of my favorite subjects, Canada Geese, and water lily gardens and most of them, measure about 4 x 4 inches. They are priced starting at $25.00 each and make a wonderful addition to your bookshelf, desk, bedside table, or cubicle. All of my paintings come with a small easel for easy display. The first photo here gives you an idea of the scale of some of my paintings. Thanks for stopping by! Canada trio, styled, flatCanada Goose trio,flatpink water lillies, flatclose up of pink water lilliy, flatwhite water lily, mini, flat

Surviving and Thriving in a Creative Desert

Things I have tried to do to get creative again

As I mentioned in last week’s post, I have been struggling with artist’s block this summer. During this journey, I’ve tried various things to break out of it, such as: copying art demonstrations from art technique books, re-touching/re-working old paintings, and working in a prompt driven sketchbook. Unfortunately, the later project hasn’t been working out so great lately. I’ve been procrastinating on doing the daily prompts, and have felt uncertain as to which mediums to work in for the sketchbook pages, should it be watercolor, colored pencil, acrylic, gouache or something else that I use? I have been unhappy with the colored pencils because they take so long to build up color and tone and I want to get some momentum and finish the nature section so I can keep moving along. It’s also difficult to correct mistakes with this medium, and I am finding that a lot of my prompts are not living up to my expectations. All of which keeps me stuck in neutral, and not making new work consistently.

Some insights I have gained about my artist’s block

Maybe it’s also the heat of the summer, which seems extraordinarily hot, even for Maryland. Or perhaps it’s the dislocation I feel in adjusting to a new house, guilt (genuine or otherwise, about abandoning household chores to make time for art), or something else entirely. Whatever the cause, I want to come up with some solutions so I can move forward and make more art, and hopefully at least some of the pieces will turn out the way I envision or will be at least good enough to post on social media. This year there’s been a mix of both good paintings and some not so good paintings. The paintings I’m not happy with might get thrown out, or sanded and re-worked, depending on the state of the canvases. I feel dry and uninspired, and I feel I have reached the limit of my skill set in art. In fact, I feel I need more fuel for my creativity and knowledge base.

Tips for breaking through a creative block

While I am pondering these thoughts, I’d like to share some tips I picked up from an article, “How to Survive a Creative Slump,” by Our Daily Craft, on http://www.ourdailycraft.com/2017/02/21/survive-creative-slump, by Sarah White, February 21, 2017. A few suggestions that the author offers include: 1.) starting with a small creative project, 2.) working quickly, 3.) reading a book you enjoy, and 4.) organizing or cleaning something in your home.  For instance, the author suggested a few small projects to help jumpstart your creativity such as 1.) “sewing a cloth napkin,” 2.) “knitting a headband,” 3.) Paint on a 4 x 4-inch surface, or “writing a haiku.” (Source: ibid)  Since I am not particularly good at crafts or anything DIY, which I learned after re-finishing some furniture and all of my kitchen cabinets in my new home, I have settled on painting a 4 x 4-inch canvas of Canada Geese. I re-worked this miniature canvas in oil paints about a week ago, and I am fairly happy with the result. Another suggestion that the author makes is to re-visit old projects that you had left unfinished. (Source: ibid)  I certainly have a pile of unfinished works-such as unfinished drawings, pastels, and pages in my sketchbook where things just didn’t come together. Perhaps it would be a good problem-solving exercise to utilize my creativity.

In addition, the author also discussed making something quickly-which I’m not sure I would do

3f9b42931a94480466da08e7886286ec--kid-quotes-writing-quotes
This quote was obtained from the internet via a Google search, and no copyright infringement is intended.
Canada Goose trio,flat
Canada Geese Trio, oil on canvas, 4 x 4 inches, 2018, Jodie Schmidt.
Koi fish painting, flat
Koi Fish Group, acrylic on canvas, 5 x 7 inches, 2018, Jodie Schmidt. This is the first stage of this painting.
Koi group, flat
Koi Fish Group, acrylic on canvas, 5 x 7 inches, 2018, Jodie Schmidt. And this is the completed acrylic painting! 
Koi fish portrait, flat
Koi Fish portrait, acrylic, 4 x 6 inches, 2018, Jodie Schmidt. Pictured is stage 1 of this acrylic painting.
works in progress, flat
Here are some small value paintings of water lilies and a blank canvas. I’m not sure what the subject might be for this one yet.
small value paintings, flat
Close up of the water lily paintings in progress.
nature sketches 1, flat
Pictured is stage 1 of my dandelion sketches in colored pencil and pastel. I wasn’t happy with how these turned out, so I re-worked them in two subsequent stages, pictured here. These drawings are from my Julia Orkin-Lewis Sketchbook, Draw Every Day, Draw Every Way. 
Nature sketches, 2, flat
My first step to re-work these paintings was to cover up the areas I didn’t like with gesso and let it dry so I could re-paint with acrylic. I learned that colored pencil is really hard to get rid of if you make a mistake.
dandelions sketchbook flat
And my final two steps were to add another layer of gesso after the first layer had dried. Afterward, I re-painted the offending areas with Liquitex acrylic paint. However, I’m still not sure if I am happy with these sketches, but I don’t want to get stuck on them either. They are, after all, supposed to serve as ideas for completed future paintings.

since most of the problems I have had with my art have been poor planning. Another problem which leads to unsatisfactory art for me is not spending enough time checking the accuracy of the drawing, as unfortunately happened with my latest portrait of Lincoln, which I decided to re-work and re-draw with oil paints. Needless to say, it didn’t turn out that well. Maybe if I were an abstract painter I could get away with a more intuitive approach to painting, than a more structured one with specific steps, but I am not. Since I am a more traditional painter, I am sticking with what works for me, which is starting with a drawing, adding three values in pencil to the sketch, and then making a colored sketch to base the final painting upon. Unfortunately, the more I tried to fix the drawing, the worse it got. In the end, I finally decided to abandon it, and start with a new sketch on a totally different substrate on a larger scale. It hasn’t become a painting yet, but I think I identified some drawing errors in the painting, by making a new sketch.

However, one thing I do want to try is to read a novel, article, or poem, to try and get some new ideas flowing. Some of my best works have been inspired by the poetry of Dickinson and Frost. Maybe reading literature will also help me to become a better writer and get me out o this writer’s block I seem to be assailed with lately. How about you? Do you have any suggestions for breaking out of a creative rut? I’d love to hear! Just post in the comments section of this blog. Thanks for stopping by!

 

 

ATC, artist trading card inspired Art, Canada Goose trio

Hello friends, family, and fans,

I am working on a new series of art inspired by the artist trading cards movement in which artwork is created on a 2.5 x 3.5-inch canvas or paper substrate. I’m hopeful that working more often will help me to improve my painting skills and help me to jump start my creativity again. The paintings will be based on photos I have taken and drawings in my sketchbook, Draw Every Day, Draw Every Way, by Julia Orkin-Lewis.  My new painting is called, Canada Goose trio and was painted with artist quality oil paints on cotton duck canvas. I started this painting several months ago but stopped when I got to a part I didn’t know how to finish. The painting was inspired by a trip I took to a favorite local park, called Hagerstown Community Park. There is an abundance of wildlife there, including Canada Geese, Swans, and Mallard Ducks. A large lake encircles the art gallery in front of the park, called the Washington County Museum of Art.  This newest painting is now available on my Etsy site for sale at https://www.etsy.com/shop/ArtofSchmidt.

Canada Geese trio, miniature, flat
Canada Geese Trio, oil on canvas, 4 x 4 inches, Jodie Schmidt, 2018.